<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8114017018466066885</id><updated>2012-01-18T10:34:47.857-05:00</updated><category term='daddario'/><category term='guitar strings'/><category term='james d&apos;addario'/><category term='travel'/><category term='humidity control'/><category term='jim d&apos;addario'/><category term='violan'/><category term='winding'/><category term='kaplan'/><category term='ovation'/><category term='Scale Length'/><category term='acoustic guitar care'/><category term='rico'/><category term='String Tone'/><category term='guitar humidifier'/><category term='Tom Spaulding'/><category term='american cable'/><category term='machine'/><category term='violin'/><title type='text'>D'Addario Strings Blog</title><subtitle type='html'>Get the inside scoop from D'Addario!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>D'Addario and Company</name><uri>http://www.blogger.com/profile/04357832642000963005</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='16' src='http://4.bp.blogspot.com/_G8Z28AuhtUQ/SZQnB1CuouI/AAAAAAAAAAM/2o0bjVxLb-s/S220/DA_Logo_BW.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>41</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-3991075494866920981</id><published>2012-01-17T22:31:00.004-05:00</published><updated>2012-01-18T10:34:47.871-05:00</updated><title type='text'>D'Addario and Aquila Team Up For Ukulele Strings</title><content type='html'>&lt;div&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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 mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin-top:0in;  mso-para-margin-right:0in;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0in;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:Calibri;  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;} &lt;/style&gt; &lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" align="center" style="text-align: left;margin-bottom: 0.0001pt; "&gt;&lt;b&gt;&lt;span&gt;DUE TO GROWING POPULARITY, D’ADDARIO &lt;/span&gt;&lt;/b&gt;&lt;b&gt;UNVEILS TWO COMPLETE LINES OF UKULELE STRINGS&lt;/b&gt;&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="margin-bottom:0in;margin-bottom:.0001pt; text-align:center;line-height:9.0pt;mso-line-height-rule:exactly;mso-pagination: none;mso-layout-grid-align:none;punctuation-wrap:simple;text-autospace:none"&gt;&lt;o:p&gt;&lt;span&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;b&gt;The NAMM Show &lt;/b&gt;• &lt;b&gt;Anaheim, CA &lt;/b&gt;• &lt;b&gt;January 19-22, 2012&lt;/b&gt; • &lt;b&gt;Booth# 4834&lt;/b&gt; – D’Addario proudly announces its new Nyltech and Titanium Ukulele Strings available in January 2012. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: 8.0pt;mso-line-height-rule:exactly;mso-pagination:none;mso-layout-grid-align: none;punctuation-wrap:simple;text-autospace:none"&gt;&lt;span&gt; &lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-i91Zh956IXo/TxYvblyBorI/AAAAAAAACN4/Yftr9t2PTV4/s1600/EJ88T_main.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 312px; height: 320px;" src="http://4.bp.blogspot.com/-i91Zh956IXo/TxYvblyBorI/AAAAAAAACN4/Yftr9t2PTV4/s320/EJ88T_main.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698794529528849074" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;D’Addario and Aquila Strings are thrilled to announce their exciting new string development partnership, which created the Nyltech Ukulele Strings.  Nyltech is made with D’Addario exclusive string material that offers a warm, yet punchy, gut-like tone.   &lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;The Nyltech Strings are available for most popular Ukulele sizes and tunings such as the &lt;span&gt;Soprano&lt;/span&gt; (EJ88S), retailing at $11.10,  &lt;span&gt;Concert&lt;/span&gt; (EJ88C), also retailing for $11.10,  &lt;span&gt;Tenor&lt;/span&gt; (EJ88T), with a retail price of $12.55 and Baritone (EJ88B), which will retail for $13.90.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;“Our new Nyltech Ukulele Strings are a contemporary take on a traditional sound with improved intonation verses other ukulele strings on the market,” says Brian Vance, Director of Product Management.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-LNG5S4xkRLA/TxYu8pOLKMI/AAAAAAAACNs/L1QI1Wv9gmw/s1600/EJ87T_main.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 314px; height: 320px;" src="http://2.bp.blogspot.com/-LNG5S4xkRLA/TxYu8pOLKMI/AAAAAAAACNs/L1QI1Wv9gmw/s320/EJ87T_main.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698793997876275394" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;D’Addario is also releasing new Titanium Ukulele Strings.  Titanium strings have recently been popular with classical guitarists for their bright, projecting tone and ultra-smooth feel.  Now ukulele players can increase their volume, clarity and dynamics with Titanium Ukulele Strings.  The dense monofilament material with translucent purple hue and smooth feel is similar to traditional nylon.  The strings are available for most popular ukulele sizes and tunings such as the Soprano (EJ87S), retailing for $8.20, Concert (EJ87C), also retailing for $8.20, Tenor (EJ87T), to retail for $8.65 and Baritone (EJ87B), with a retail price of $9.85.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height:10.0pt;mso-line-height-rule:exactly"&gt;&lt;span&gt;“We are excited to create Titanium strings that give a bright tone and smooth feel exclusively for Ukelele players,” adds Vance. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: 9.0pt;mso-line-height-rule:exactly;mso-pagination:none;mso-layout-grid-align: none;punctuation-wrap:simple;text-autospace:none"&gt;&lt;span&gt;For more information on D’Addario, please visit &lt;a href="http://www.daddario.com/"&gt;www.daddario.com&lt;/a&gt;.&lt;/span&gt;&lt;span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-3991075494866920981?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/3991075494866920981/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2012/01/0-0-1-272-1553-daddario-and-company-12.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3991075494866920981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3991075494866920981'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2012/01/0-0-1-272-1553-daddario-and-company-12.html' title='D&apos;Addario and Aquila Team Up For Ukulele Strings'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-i91Zh956IXo/TxYvblyBorI/AAAAAAAACN4/Yftr9t2PTV4/s72-c/EJ88T_main.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8232732215092756906</id><published>2011-12-29T09:20:00.004-05:00</published><updated>2012-01-09T16:32:57.927-05:00</updated><title type='text'>D'Addario does not support the proposed SOPA Act (Stop Online Piracy Act)</title><content type='html'>Recently, our name has appeared on a list with many other respectable companies and brand names regarding support of the proposed SOPA legislation that was recently introduced in the House of Representatives. D'Addario has been asking our elected representatives in Washington, as well as various business and trade associations, to help our company and others protect their universally recognized intellectual property rights from being stolen and profited upon by foreign counterfeiters. (FYI - 7 out of 10 sets of D'Addario strings sold in Chinese music stores are fakes!). However, this desire for legislative action with regard to our battle against counterfeiters should not be misconstrued as support for the proposed SOPA legislation. For this reason, we have formally asked the U.S. Chamber of Commerce to remove us from the list indicating that D'Addario &amp;amp; Company supports this bill and will ask any other website listing us as a supporter to do the same.&lt;br /&gt;&lt;br /&gt;We have been waging a battle against counterfeiters who sell fake D'Addario strings for over a decade. Today, the packaging on fake D'Addario strings appears authentic but the strings are horrific. These predators have not only stolen our name but are damaging our brand equity and reputation with our valued customers in markets all over the world. As a result, we have asked our elected representatives to pass fair and responsible legislation to help us and other manufacturers combat this problem.&lt;br /&gt;&lt;br /&gt;We are hopeful that through the process of legislative compromise Congress will pass a law that preserves constitutionally protected free speech and allows D'Addario and others to fairly compete on a level playing field in the global marketplace. In addition we will be reaching out to all the Congressional representatives in areas where D'Addario has a presence to inform them that we do not support SOPA in its present form.&lt;br /&gt;&lt;br /&gt;In the last few days, we have seen countless comments on various forms of social media and received many email messages, both pro and con on this issue. While the D'Addario family is committed to protecting its trademarks and family name, that commitment does not take priority over our respect for the U.S. Constitution and our right to free speech under the First Amendment.&lt;br /&gt;&lt;br /&gt;I am available to answer anyone's questions on this topic personally. Please post any questions or comments on &lt;a href="http://www.facebook.com/profile.php?id=100002955684340"&gt;my personal Facebook page&lt;/a&gt;. I look forward to hearing from you.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sincerely - Jim D'Addario&lt;br /&gt;&lt;br /&gt;P.S. FYI- &lt;a href="http://shortformblog.tumblr.com/post/14893085824/sopa-chamber-of-commerce-list"&gt;http://shortformblog.tumblr.com/post/14893085824/sopa-chamber-of-commerce-list&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8232732215092756906?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8232732215092756906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/12/daddario-does-not-support-proposed-sopa.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8232732215092756906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8232732215092756906'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/12/daddario-does-not-support-proposed-sopa.html' title='D&apos;Addario does not support the proposed SOPA Act (Stop Online Piracy Act)'/><author><name>Scott Heaney</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8190513328280921663</id><published>2011-12-23T14:18:00.001-05:00</published><updated>2011-12-29T09:19:56.601-05:00</updated><title type='text'>Where Do You Shop For Music Gear?</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;img src="http://daddario.com/upload/da_feature_holiday_gift_ideas_36036.jpg" /&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;Shopping &lt;?xml:namespace prefix = o /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;There is a lot of talk about where musicians shop today in our industry, and we have seen 3 distinct choices that have emerged for the consumer: The local stores/specialty shops, the national chain stores and on-line retailers. Each of them offers a distinct experience and brings different value to the customer, where you shop really depends on the experience you prefer:&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style="TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1" class="MsoListParagraphCxSpFirst"&gt;&lt;!--&lt;b&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8190513328280921663?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8190513328280921663/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/12/where-do-you-shop-for-music-gear.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8190513328280921663'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8190513328280921663'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/12/where-do-you-shop-for-music-gear.html' title='Where Do You Shop For Music Gear?'/><author><name>Torey Pirolo - Web Community Specialist</name><uri>http://www.blogger.com/profile/05704150132243618359</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1309970314158388032</id><published>2011-11-07T12:47:00.017-05:00</published><updated>2011-11-16T12:23:44.179-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='machine'/><category scheme='http://www.blogger.com/atom/ns#' term='american cable'/><category scheme='http://www.blogger.com/atom/ns#' term='james d&apos;addario'/><category scheme='http://www.blogger.com/atom/ns#' term='winding'/><category scheme='http://www.blogger.com/atom/ns#' term='ovation'/><category scheme='http://www.blogger.com/atom/ns#' term='daddario'/><category scheme='http://www.blogger.com/atom/ns#' term='kaplan'/><category scheme='http://www.blogger.com/atom/ns#' term='jim d&apos;addario'/><category scheme='http://www.blogger.com/atom/ns#' term='violan'/><category scheme='http://www.blogger.com/atom/ns#' term='guitar strings'/><category scheme='http://www.blogger.com/atom/ns#' term='violin'/><category scheme='http://www.blogger.com/atom/ns#' term='rico'/><title type='text'>D'Addario Today: The Story</title><content type='html'>By Jim D'Addario&lt;br /&gt;&lt;br /&gt;In the very early years of this iteration of our company – 1973 -1981, we bought machinery from two companies that made machines for the string industry. We purchased about 12 winding machines. Being mechanically inclined, I assumed the responsibility of keeping these machines running. By spending 80% of my time on the factory floor, I quickly learned how inadequately designed and manufactured these machines were. I also quickly learned that there are key variables in the  manufacture of music strings that need to be controlled to maintain product quality and consistency; I was also concerned about the safety of our employees as these machines did not have features that would stop a machine  quickly if a string had broken during winding.&lt;br /&gt;&lt;br /&gt;One variable, for instance, is the tension that is applied to the wrap wire during winding; this is crucial to the tone and life of a string. The methods for applying tension were primitive and varied greatly as a spool of wire ran and slowly emptied itself.  Maintaining the perfect wire feed angle pitch in relationship to the core was also impossible on the machines we purchased.&lt;br /&gt;&lt;br /&gt;At the time, my mother, Mary D’Addario, was running the Packaging Department and one of her employees, saw that I was always trying to improve the machines.  She told me that her son-in-law, Gino, had a machine shop right in our backyard; it was literally behind our factory’s parking lot. It was a small shop and he and his partner Luigi were old world craftsmen from Northern Italy. I had no engineering skills or education, but I had ideas on how I could improve things like the control of tension on the wrap wire on our machines. I would sketch things out and take them to Gino’s shop and he would make parts for me. Quickly, I began to improve and modify the machines, so much so that I would not let the makers of the machines in our shop from that point on. I did not want them seeing the competitive advantages we were developing; this way, they could not incorporate them into machines they might make for our competitors.&lt;br /&gt;&lt;br /&gt;Around that time, my father-in-law, Robert Carbone, was out of work and he had some background in engineering and drafting. I hired him to draft my ideas for various machine improvements. I would sketch, he would detail, then Gino’s shop would make the parts. I would then assemble the parts and test them on the machines. Slowly, our knowledge and skill level increased and increased, and our machines became more and more reliable and more sophisticated than our competitors. Most of all, our strings became more consistent than any of our competitors. To this day, when we survey the consumer base for our guitar strings, the one adjective that is used most often to describe our strings over and over again is consistency!&lt;br /&gt;&lt;br /&gt;As we needed more machines, I would order them from one of the suppliers; and then when they came in, I would rip sections apart and modify them with our trade secrets. We purchased about 8 more machines before this vendor realized we were growing fast and began to jack up the prices to ridiculous levels. The revelation came that we simply needed to design our own machines. We used ideas from both vendors, the new ideas I was developing and many other new innovations to design our own winding machine in 1976. This was a major breakthrough for us. We were paying as much as $18,000 for a winding machine back then, and I was able to build a better machine for under $4,000. Gino’s shop made all of the parts and I assembled them, wired the control panels, debugged and installed the machines. Gino is now retired and we have an extensive machine building shop of our own with over 15 full-time employees building and rebuilding production equipment. Gino’s successors still make parts for us as we do not have the capacity to build all of them in house. Gino’s mother-in-law has since passed away as has my mother, but his daughter Nadia works as an executive assistant in our office.&lt;br /&gt;&lt;br /&gt;By 1980, my father-in-law had left our employ and I had acquired enough drafting skill to design the parts and assemblies for the machines I was building. Doing this along with marketing and other business management activities was a bit of a challenge, so I decided to hire engineering help.  Jim Rickard, who was the original engineer under Charlie Kaman at Ovation, joined our company for about 10 years. Jimmy is credited with bringing the Ovation guitar into production and for developing the first commercially-successful piezo electric pick up system to the acoustic guitar. His achievements were countless at Ovation. Amplifying the Ovation acoustic made it the choice of Glen Campbell, Cat Stevens and many others over the years.&lt;br /&gt;&lt;br /&gt;Jim worked directly under me and helped design and build equipment. We now had two engineering people and we significantly expanded our expertise. There wasn’t a subject that Ricky (as he was nicknamed in the industry) didn’t have in-depth knowledge about.  He drew everything with paper and pencil as did I.  My geometry and math skills were limited, so he was a big help, as was the Mechanical Engineers Handbook and a small trigonometry pamphlet I still have in my desk today.&lt;br /&gt;&lt;br /&gt;Then the personal computer arrived.  In December 1982, I saw a demonstration of AutoCAD on an IBM personal computer and I knew instantly that this was a tool that would change my work life. I was one of the first 100 in the world to buy a copy of this program and an IBM XT computer, with a 10 meg hard drive (imagine all that storage), a 360K floppy for backing up (wow!) and a green monochrome screen that required a Hercules graphics card adaptor to double the screen resolution so you could draw.&lt;br /&gt;&lt;br /&gt;It was slow, limited, but accurate! I could draw what I wanted to scale and it would calculate the dimensions for me. All the time wasted with the trigonometry manual was history. Suddenly, I could design things I never dreamed of. Also, if I needed to move something or make major changes, it was no different than editing a word processing document.&lt;br /&gt;&lt;br /&gt;In 1981, we acquired Kaplan Music Strings. Otto Kaplan and his father Ladislav were machine designing geniuses. In fact, I have some Ladislav’s colored pen and ink machine assembly drawings framed in my office. Their business was tiny and in the back of their Norwalk, Connecticut home, just like my granddad’s was. In 1949, the year I was born, Otto designed a machine he called the Kaplamatic. He only built one of these machines in his life. It was an elaborate machine, for the time. It was designed to make &lt;a href="http://store.daddario.com/category/146757/Kaplan_Solutions_Strings"&gt;violin&lt;/a&gt; and &lt;a href="http://store.daddario.com/category/306032/Kaplan_Strings"&gt;viola&lt;/a&gt; strings with one layer of winding and then polish that string with three different polishing mediums, all without taking the string off the machine.&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-2EICPbLZMks/TrgguoRVNLI/AAAAAAAAAEI/kDBIyf3Pxng/s1600/x02_306033.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="margin: 0px 0px 10px 10px; width: 201px; height: 197px; float: right; cursor: pointer;" id="BLOGGER_PHOTO_ID_5672319716129322162" alt="" src="http://2.bp.blogspot.com/-2EICPbLZMks/TrgguoRVNLI/AAAAAAAAAEI/kDBIyf3Pxng/s320/x02_306033.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This machine was the mainstay of the company we purchased.   Otto had passed away, and the machine was worn out and not really running reliably anymore. With the mechanics, we tried to keep the machine running for about a year or so, then I realized that I needed to bite the bullet, rip this thing apart, redesign it and make the Kaplamatic II.  This coincided perfectly with my purchase of ACAD in 1982.  I bought a second PC, with only two floppy drives because I couldn’t afford $5,400 for another XT with a hard drive.  I had the PC on a table behind the couch in our TV room; and as the family watched TV each night, I sat there learning ACAD and designed KII.  The program was on five floppy disks and since there was no hard disk, if I called for a command that was on a different disk, it would prompt me to insert Disk 2 or 3 or whatever. But to me, compared to a pencil, and vellum, and erasers, and math errors, it was a marvel of modern technology.&lt;br /&gt;&lt;br /&gt;As I completed sections of this machine, I detailed the parts drawings, printed them on an HP laser printer that cost about $4,000 at the time, and Ed Vincent, our only machinist back then, made the parts. From start to finish, we designed and built the KII in only three months!&lt;br /&gt;&lt;br /&gt;It’s now 2011 and Matt, one of our engineers, is nearly finished with the Kaplamatic VII. We have one of the KVIIs in the shop nearing completion; and after it is tested, 5 more will be built to respond to the increased demand for our bowed strings. More significantly, this new KVII is full of the most modern technology ever built into a string machine and will allow us to make more complicated string designs with less labor and higher quality.&lt;br /&gt;&lt;br /&gt;In 1983, I realized that ACAD was the way to go, but it took me over a year to get Ricky to use it. He just wouldn’t put his pencil down. Finally, after using it for several years, he actually left the company and returned to Connecticut to became and AutoCAD dealer and trainer (imagine!). He unfortunately passed away prematurely at the age of 54.&lt;br /&gt;&lt;br /&gt;Over the years, as our company grew and we added products, brands and capacity, our need for engineering and machine building continued to increase each year.  I began hiring engineers. At this point, our Engineering Department in New York is run by Steve Murray (who was hired, I believe, 25 years ago). Steve supervises 6 other engineers and the entire machine building staff. We also have one full-time product designing engineer, Bob Miller, who started as a machinist with us, learned ACAD, ProE and MasterCam and is now a senior design engineer.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-8s0jLseTt0A/TrghJ7lTaLI/AAAAAAAAAEU/Uio1Woe8mBI/s1600/x02_267144.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="margin: 0px 10px 10px 0px; width: 197px; height: 199px; float: left; cursor: pointer;" id="BLOGGER_PHOTO_ID_5672320185169832114" alt="" src="http://1.bp.blogspot.com/-8s0jLseTt0A/TrghJ7lTaLI/AAAAAAAAAEU/Uio1Woe8mBI/s320/x02_267144.jpg" border="0" /&gt;&lt;/a&gt;At Rico in Sun Valley, California, we have a team of 5 engineers who design and build reed making machinery. Since the 2004 acquisition of Rico, we have essentially duplicated the innovation and engineering model we created at D’Addario, but in a very, very short time (7 years). Our work is not finished, but the science of growing and harvesting cane, cutting poles, sorting tubes, splitting, blanking and machining reeds has seen more innovation in 7 years than in the last 100 at Rico and all of our competitors combined. By 2014, we will have reinvented every aspect of reed making and we will then cycle back through each process with continuous improvement in mind.&lt;br /&gt;&lt;br /&gt;After the AutoCAD awakening in 1982, I was still actively designing and assembling machinery.  Slowly, as we grew and my staff grew along with me, I did not have the time to be as hands on; I have now evolved into creating the vision for the projects with our engineering teams and then helping them realize that vision. Many times, it will start with me sketching ideas in ACAD and kindling the idea with our team. On other occasions, our engineers will conceive and complete the entire project on their own. It is a far cry from the days when I would be assembling machines all day, in between taking calls, designing marketing campaigns and doing artist relations work. In those days, I had a shop in my basement where I wired all the control panels after dinner at night. I would take all of the components home and assemble and wire them so I could do the work without interruption.&lt;br /&gt;&lt;br /&gt;There were times when we assembled 20 winding machines at one time. We usually built Kaplamatics in lots of 4 or 6. The last lot of Kaplamatics was built in 1995 to 1997 when we moved into our present headquarters. Guitar winding machines have had many, many more iterations, so many that I have lost count. Our team also does elaborate rebuilds of existing machinery. We just finished a huge rebuild of guitar winding machines that I assembled 30 years ago. After rebuilding, they are essentially as good as a machine we would design today.&lt;br /&gt;&lt;br /&gt;The budgets for 2011 and 2012 have the largest capital expenditure budgets in our history. In New York, we are building 13 double winders, 6 Kaplamatic VIIs, many molds for Evans, 4 ball coiling machines, to mention just a couple of the main projects. Rico is designing a completely digital reed vamp cutting technology that will replace the original Rico vamping machinery and the French/Franke type machinery that is used at Rico and Vandoren today. We will essentially be able to digitally change the model and cut of a reed on the fly. The quality, precision and consistency of this new technology will be unparalleled. The first prototype is being assembled right now.&lt;br /&gt;&lt;br /&gt;Rico is also in the process of fully automating the cane pole processing from field to finished product. We have already installed 4 automatic pole cutting machines at our French plantation location, Hyeres, and now automated splitting sawing and sorting machinery is being developed.&lt;br /&gt;&lt;br /&gt;At Pro-Mark, in just 9 months, we have installed 6 new centerless grinding machines and water filtration equipment. This was over a $1 million investment in Pro-Mark's infrastructure. The first, new 5A PM sticks off this process are already in production. The improvement in quality from this move will be ground breaking for Pro-Mark.&lt;br /&gt;&lt;img style="margin: 0px auto 10px; width: 196px; height: 268px; text-align: center; display: block; cursor: pointer;" id="BLOGGER_PHOTO_ID_5672321664264050194" alt="" src="http://1.bp.blogspot.com/-jMpwEI0myi8/TrgigBo2FhI/AAAAAAAAAEg/8mOmtJKfPoU/s320/AmericanStage_InstrumentCable_Pkg.tif" border="0" /&gt;&lt;br /&gt;While it is essential to design 90+%of our machinery in-house because of its specialized nature, we do integrate stock, available machinery where possible. A perfect example is the new Planet Waves – American Stage cable line we are ramping up in production right now. A combination of stock wire feeding, stripping and coiling machinery, along with custom designed robotic soldering equipment, have created a production work cell that will enable us to market an American-made cable competitively against imported products.&lt;br /&gt;&lt;br /&gt;Our philosophy of continuously investing in our companies will never change. It is a formula that has been our success and we will continue to nurture the culture of innovation and continuous improvement in all our factories.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1309970314158388032?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1309970314158388032/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/11/daddario-today-story.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1309970314158388032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1309970314158388032'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/11/daddario-today-story.html' title='D&apos;Addario Today: The Story'/><author><name>D'Addario and Company</name><uri>http://www.blogger.com/profile/04357832642000963005</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='16' src='http://4.bp.blogspot.com/_G8Z28AuhtUQ/SZQnB1CuouI/AAAAAAAAAAM/2o0bjVxLb-s/S220/DA_Logo_BW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-2EICPbLZMks/TrgguoRVNLI/AAAAAAAAAEI/kDBIyf3Pxng/s72-c/x02_306033.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-2763697972463705461</id><published>2011-10-08T17:34:00.003-04:00</published><updated>2011-10-08T20:38:34.567-04:00</updated><title type='text'>Swap 'Em Out</title><content type='html'>My wife is a singer-songwriter and she walked into my studio today with a new song called "Distraction". It's got a Mavericks/Chris Isaak vibe and screams for a baritone guitar. Slight problem in that I do not own a baritone guitar.&lt;br /&gt;&lt;br /&gt;Off I go to craigslist to see if there are any in the Nashville area. Sure enough, a guy posted a Danelectro Classic baritone about 10 days ago. I call the number and leave a message that I am interested if he still has it. He returns my call 20 minutes later as he is driving back from a gig in St. Louis. His post said he did not need the guitar and also did not need to sell it, just seeing if there was any interest, so I proposed a trade.&lt;br /&gt;&lt;br /&gt;I bought a '99 Gibson Les Paul Junior from a friend a couple years ago and never really warmed up to it. It's a nice guitar, but nothing I really had to have. I asked the guy if he was into a trade and he said "send some photos" via cell phone and he would look at it.&lt;br /&gt;&lt;br /&gt;20 more minutes later, he likes the photos and agrees to swap guitars. We are scheduled to meet somewhere between here and Smyrna tomorrow afternoon.&lt;br /&gt;&lt;br /&gt;I get a new guitar, he gets a new guitar, neither of our wives are mad, mine is actually very happy, everybody wins and I get to try out a set of D'Addario baritone strings. The Dano shipped with D'Addario strings originally, I can't wait to hear what it sounds like in the track.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-2763697972463705461?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/2763697972463705461/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/10/swap-em-out.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2763697972463705461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2763697972463705461'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/10/swap-em-out.html' title='Swap &apos;Em Out'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-4868184982650181720</id><published>2011-08-31T11:17:00.004-04:00</published><updated>2011-08-31T11:50:00.054-04:00</updated><title type='text'>Old Strings &amp; Bass Players</title><content type='html'>&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;by Justin Oscar Cary&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;There's something about bass players that sets them apart from guitar players when it comes to strings.  A lot of bassists really dig old, dead strings!  I understand why, don't get me wrong: all you have to say is "Jamerson" &amp;amp; that old, thick, funky round-sound comes instantly to mind.  James Jamerson reportedly never changed the strings on his iconic '62 Jazz Bass and obviously -it sounded GREAT!  I've also heard many stories from bass playing colleagues over the years about a special old set of strings that they value more than the bass they're installed upon... (Actually, I have an old set just like this, I'll wax poetic about that later-)  BUT honestly, for me, new strings are a necessity in most professional situations!  (Sorry old-school purists, but hear me out before you burn my effigy!)&lt;br /&gt;&lt;br /&gt;If I've settled upon an argument for new strings (see below what exactly I mean by "new").  It's probably best summed up thusly: "I can easily make a new string sound convincingly 'old' but I haven't yet found a way to make an old string sound convincingly 'new'!"  Yeah, yeah, yeah - I know there's no way to make a brand new string feel and sound exactly like a 20-year old set of flatwounds, but I can get close enough that no one's going to be able to tell above the cacophony of those darned electric guitars! ;-)   A little careful EQ (via my homemade "super-secret" passive tone box - details coming soon...) and attentive right hand technique &amp;amp; I can make my freshly-strung Jazz Bass sound old-school in a heartbeat!  Plus, I can pivot on my heels and have a bright, modern 'stringy' sound ready to go without ever putting the instrument down!  That's the benefit of a fresh string, baby!&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-kSyR2afw0Bk/Tl5Vr6UsQpI/AAAAAAAACNc/JheD26yAfio/s1600/string1.JPG"&gt;&lt;img style="cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/-kSyR2afw0Bk/Tl5Vr6UsQpI/AAAAAAAACNc/JheD26yAfio/s320/string1.JPG" alt="" id="BLOGGER_PHOTO_ID_5647045195647959698" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:78%;" &gt;...there's always plenty of these lying around!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Now what exactly do I mean about "new" strings?  Well, honestly, I usually don't love the sound of bass strings just minutes after installation.  I'd estimate it takes me (with my technique and less acidic sweat) an hour or two of playing time on a set of Nickel Roundwounds before I think they're in the 'perfect' state:  Bright and modern, but with a full fundamental and stable in terms of tuning.  Flatwounds are an exception, in my opinion - they sound great at first, but keep getting better for months!  Eventually flats settle into a pretty perfect equilibrium before they just get too stretched out to intonate well.  Depending on playing frequency and environmental factors (hot summer festival sets come to mind with sweat pouring all over the poor defenseless strings!), I'll probably change most of my roundwound-strung basses every 3 or 4 months.  Flatwounds, on the other hand, last at least 2-3 years or more for me (sometimes, much more!).  I love flats, but they just aren't perfect for as many styles/genres/situations as roundwounds are.&lt;br /&gt;&lt;br /&gt;As you may already have noticed- I am an enthusiastic D'Addario string endorser!  I've been given strings at one point or another by just about every major string manufacturer, but I keep going back to D'Addario's.  They have a reliable, very consistent product and make just about any kind of string for any instrument.  I use a wide variety of D'Addario's starting with my favorite all-purpose "go-to" &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145912/XL_Nickel_Round_Wound"&gt;XL Nickel Roundwound &lt;/a&gt;bass strings.  D'Addario &lt;a href="http://store.daddario.com/category/145851/Chromes_Flat_Wound"&gt;Chromes&lt;/a&gt; are my flatwound of choice for their incredible stability and bright, scooped tone when settled in.  I've just recently started experimenting with D'Addario &lt;a href="http://store.daddario.com/category/145873/Half_Rounds"&gt;Half Rounds&lt;/a&gt; on my hollowbody Ibanez (see Gear Review: &lt;a href="http://www.justinoscarcary.com/gear/2011/7/6/-ibanez-agb140-artcore-bass.html"&gt;Ibanez AGB140 Bass&lt;/a&gt;) &amp;amp; I really dig them!&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-Sl_qx4R_WUs/Tl5WTNzlxjI/AAAAAAAACNk/UM60dyAiWYE/s1600/string2.JPG"&gt;&lt;img style="cursor: pointer; width: 320px; height: 193px;" src="http://2.bp.blogspot.com/-Sl_qx4R_WUs/Tl5WTNzlxjI/AAAAAAAACNk/UM60dyAiWYE/s320/string2.JPG" alt="" id="BLOGGER_PHOTO_ID_5647045870892729906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I've also switched over to a new product on my acoustic bass guitar: D'Addario EXP Reds coated copper-plated strings (available soon): An outstanding coated string with a distinct "earthy" sound!  Watch for a column on my heavily modified Epiphone Rivoli using D'Addario Black &lt;a href="http://store.daddario.com/category/386064/Black_Nylon_Tapewound"&gt;Nylon Tapewounds,&lt;/a&gt; they really should be the standard string on any short-scale hollowbody bass!  I also use a variety of other D'Addario guitar strings such as &lt;a href="http://store.daddario.com/category/146022/Pro-Arte"&gt;Pro-Arte' &lt;/a&gt;classical nylon strings, &lt;a href="http://store.daddario.com/category/145769/EXP_Coated_Phosphor_Bronze_Wound"&gt;EXP 16&lt;/a&gt; coated acoustic strings and various &lt;a href="http://store.daddario.com/category/144876/XL_Nickel_Round_Wound"&gt;XL Nickel Roundwounds&lt;/a&gt; for electric guitars.&lt;br /&gt;&lt;br /&gt;There's only one special case in my instrument arsenal that has "old" strings on it - a 1978 Fender maple-board fretless.  For whatever reason, the decades old monel-steel flatwound strings that came on it just work great on that particular instrument.  I actually re-strung the bass when I bought it, played it with the new strings for a couple of days &amp;amp; then fished the old strings out of the trash!  There's just some weird x-factor with that bass &amp;amp; those old, dirty strings that works best.&lt;br /&gt;&lt;br /&gt;Bottom line?  New bass strings just have more tonal options than old bass strings.  In an industry that demands a chameleon-like ability to jump from old-school to new-school sounds at the drop of a hat, new strings make it possible!&lt;style&gt;@font-face {   font-family: "Lucida Sans Unicode"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }h2 { margin-right: 0in; margin-left: 0in; font-size: 18pt; font-family: "Times New Roman"; font-weight: bold; }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }p { margin-right: 0in; margin-left: 0in; font-size: 12pt; font-family: "Times New Roman"; }span.Heading2Char { font-weight: bold; }span.apple-converted-space {  }.MsoChpDefault { font-size: 10pt; }div.WordSection1 { page: WordSection1; }&lt;/style&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-4868184982650181720?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/4868184982650181720/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/08/old-strings-bass-players.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4868184982650181720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4868184982650181720'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/08/old-strings-bass-players.html' title='Old Strings &amp; Bass Players'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-kSyR2afw0Bk/Tl5Vr6UsQpI/AAAAAAAACNc/JheD26yAfio/s72-c/string1.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6392366207205554396</id><published>2011-07-29T11:43:00.011-04:00</published><updated>2011-07-30T12:05:42.141-04:00</updated><title type='text'>Let's Have A Party!</title><content type='html'>Summer NAMM in July. 95 degrees in Nashville, Tennessee. Sounds like a good enough reason to throw a BBQ party, so we did.&lt;br /&gt;&lt;br /&gt;On July 20th, D'Addario held a Grand Opening party for our Nashville Artist Relations office, located in the &lt;a href="http://www.soundchecknashville.com/"&gt;Soundcheck &lt;/a&gt;Annex building. Invitations were sent to all of our dealers who were in town for the NAMM show and all of our endorsers within a three-state area.&lt;br /&gt;&lt;br /&gt;Over 450 people attended, enjoying &lt;a href="http://jacksbarbque.com/"&gt;Jack's BBQ&lt;/a&gt;, local Yazoo beer and the great music of &lt;a href="http://www.elizabeth_cook.com/"&gt;Elizabeth Cook&lt;/a&gt;, &lt;a href="http://www.stephenmougin.com/"&gt;Stephen Mougin's&lt;/a&gt; Bluegrass All-Stars, &lt;a href="http://www.webbwilder.com/"&gt;Webb Wilder&lt;/a&gt; and the &lt;a href="http://www.myspace.com/kennyvaughan"&gt;Kenny Vaughan&lt;/a&gt; Trio.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-DQfZPQ1aT-A/TjQqpqIQPZI/AAAAAAAACM8/vO161LDPmCA/s1600/DSC_0512.72.jpeg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 220px;" src="http://1.bp.blogspot.com/-DQfZPQ1aT-A/TjQqpqIQPZI/AAAAAAAACM8/vO161LDPmCA/s320/DSC_0512.72.jpeg" alt="" id="BLOGGER_PHOTO_ID_5635175928919244178" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Elizabeth Cook&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-B4YDdOuyA1k/TjQq4dfxIsI/AAAAAAAACNE/svPMcIzcHV0/s1600/DSC_0634x72.jpeg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 198px;" src="http://1.bp.blogspot.com/-B4YDdOuyA1k/TjQq4dfxIsI/AAAAAAAACNE/svPMcIzcHV0/s320/DSC_0634x72.jpeg" alt="" id="BLOGGER_PHOTO_ID_5635176183226245826" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;Stephen Mougin's Bluegrass All-Stars&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-8TZZpd4XIuc/TjQrIV2p9bI/AAAAAAAACNM/KN8ldllsCX0/s1600/DSC_0723x72.jpeg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 186px;" src="http://1.bp.blogspot.com/-8TZZpd4XIuc/TjQrIV2p9bI/AAAAAAAACNM/KN8ldllsCX0/s320/DSC_0723x72.jpeg" alt="" id="BLOGGER_PHOTO_ID_5635176456052667826" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;Webb Wilder&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-6n_6G9tJpTU/TjQrWA1B4iI/AAAAAAAACNU/tYlAESCKT1c/s1600/DSC_0877x72.jpeg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 198px;" src="http://4.bp.blogspot.com/-6n_6G9tJpTU/TjQrWA1B4iI/AAAAAAAACNU/tYlAESCKT1c/s320/DSC_0877x72.jpeg" alt="" id="BLOGGER_PHOTO_ID_5635176690926871074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;Kenny Vaughan Trio&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6392366207205554396?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6392366207205554396/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/07/lets-have-party.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6392366207205554396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6392366207205554396'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/07/lets-have-party.html' title='Let&apos;s Have A Party!'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-DQfZPQ1aT-A/TjQqpqIQPZI/AAAAAAAACM8/vO161LDPmCA/s72-c/DSC_0512.72.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1662967516772021467</id><published>2011-06-27T08:50:00.007-04:00</published><updated>2011-06-27T09:15:14.360-04:00</updated><title type='text'>2011 Salmanca Classical Guitar Festival</title><content type='html'>Hi there, this is Thomas Offermann from the 1st Certamen Internacional de Guitarra Clásica Heitor Villa-Lobos! A few hours ago the first round with 39 applicants ended.&lt;br /&gt;&lt;br /&gt;The level of the competition – even of the first round – is incredibly high, and the Jury had to eliminate a lot of wonderful players all of us would have loved to hear in the second round. But after a very good and long discussion we agreed to only let those competitors pass to the semifinal who have a real chance to finally end up as finalists or even winners of this competition:&lt;br /&gt;&lt;br /&gt;Marko Topchyi&lt;br /&gt;Marlon Titre&lt;br /&gt;Noriyuki Masuda&lt;br /&gt;Rafael Aguirre&lt;br /&gt;Rovshan Mamedkuliev&lt;br /&gt;Tal Hurwitz&lt;br /&gt;Alejandro Córdova&lt;br /&gt;&lt;br /&gt;This will be a very tough semifinal!&lt;br /&gt;&lt;br /&gt;Sometimes it is really hard to work as a juror, ending up with cruel decisions; and this morning was like that. Some of those who couldn’t pass will with no doubt win other competitions! In the end the Jury, consisting of Hugo Geller, Ernesto Bitetti, Carles Trepat, Luis Paulo Horta and me, tried to do a very honest job.&lt;br /&gt;&lt;br /&gt;Salamanca is a fantastic place for a competition of this prominence: with about 150.000 inhabitants, situated not far from the Portuguese border in Spain, Salamanca has a first rank university and is a vivid and attractive place to visit and to stay.&lt;br /&gt;&lt;br /&gt;Prof. Thomas Offermann&lt;br /&gt;D'Addario Artist Relations&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-6B74xgOtBfY/TgiBJsVxgwI/AAAAAAAAAF4/ZB23wjsMVh4/s1600/performance%2Bhall.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 200px; FLOAT: left; HEIGHT: 150px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5622886138293355266" border="0" alt="" src="http://2.bp.blogspot.com/-6B74xgOtBfY/TgiBJsVxgwI/AAAAAAAAAF4/ZB23wjsMVh4/s200/performance%2Bhall.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Villa-Lobos Concierto performance&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-T81r26UR61o/Tgh9xz01YgI/AAAAAAAAAFo/g2WLZdabbfI/s1600/Thomas_Rafael.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 200px; FLOAT: left; HEIGHT: 159px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5622882429450936834" border="0" alt="" src="http://3.bp.blogspot.com/-T81r26UR61o/Tgh9xz01YgI/AAAAAAAAAFo/g2WLZdabbfI/s200/Thomas_Rafael.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Thomas &amp;amp; D'Addario artist Rafael Aguirre&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1662967516772021467?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1662967516772021467/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/06/2011-salmanca-classical-guitar-festival.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1662967516772021467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1662967516772021467'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/06/2011-salmanca-classical-guitar-festival.html' title='2011 Salmanca Classical Guitar Festival'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6B74xgOtBfY/TgiBJsVxgwI/AAAAAAAAAF4/ZB23wjsMVh4/s72-c/performance%2Bhall.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-3184447646461709754</id><published>2011-06-23T13:53:00.012-04:00</published><updated>2011-06-23T15:26:46.302-04:00</updated><title type='text'>Jim D'Addario Visits Washington, DC</title><content type='html'>&lt;div&gt;As many of you know, I have been very active in combating the growing number of counterfeit products being sold worldwide and also protecting composers’, musicians’, authors’ and screen writers’ intellectual property.&lt;br /&gt;&lt;br /&gt;Over the last 20 years, we have noticed a steady increase in the quantity of counterfeit guitar strings available globally. Initially, the quality of the packaging alone was so poor that it was easy to spot a fake set. Then over time, as more and more U.S. companies off-shored their manufacturing to emerging markets like China, the quality of Chinese-sourced packaging improved to the point where it is now difficult for even D’Addario product specialists to tell a real package from a fake package.  Unfortunately, while great attention is paid to the packaging quality, the product inside has not improved very much.&lt;br /&gt;&lt;br /&gt;The problem is not unique to D’Addario strings; every major string brand is being counterfeited. Copying a product, marking it with the proper country of origin and marketing it under a different brand name is fair trade. Counterfeiting someone’s packaging exactly, using their registered trademarks and marking the product “Printed and Made in U.S.A.” when it is made in China is criminal activity.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;The problem is not unique to the music accessory business. Some of you my age might remember the lyric from The Band’s ‘Life is a Carnival’, “Hey buddy, would you like to buy a watch real cheap, here on the street? I’ve six on each arm and two around my feet.” We all thought it was humorous to buy a fake Rolex for $25 back then.  What was good for a chuckle 35 years ago is not a laughing matter anymore.&lt;br /&gt;&lt;br /&gt;Recent survey results compiled in an International Trade Commission survey just released (&lt;a href="http://www.usitc.gov/publications/332/pub4226.pdf"&gt;http://www.usitc.gov/publications/332/pub4226.pdf&lt;/a&gt;) shows that 2.1 million jobs in America are being lost to counterfeit trade. Almost every single industry is involved; and counterfeit products in industries such as pharmaceuticals and semiconductors, for instance, pose very serious public safety concerns.&lt;br /&gt;Enter NAMM.&lt;br /&gt;&lt;br /&gt;Towards the end of 2010, NAMM, on behalf of the many NAMM members being affected, took a keen interest in advocating for reform on this issue.  At the NAMM Show in January of this year, NAMM hosted a well-attended Music and Sound Intellectual Property Task Force Meeting, attracting over 100 NAMM, PAMI (ProAudio) and InfoComm members.&lt;br /&gt;&lt;br /&gt;In mid-May, NAMM organized a Washington DC ‘Fly In’ advocacy trip where over 50 NAMM members, including myself, teamed up to visit congressmen and senators to advocate on two very important issues:  music education and intellectual property protection. The trip was a huge success.&lt;br /&gt;&lt;br /&gt;Personally, my lobbying team had 14 meetings scheduled on May 11. We had to split up to cover them all.  We had the pleasure of meeting with Senators Richard Blumenthal and Scott Brown and Congressmen Tim Bishop, Steve Israel, Peter King and Ted Poe, just to mention a few. Overall, there was strong bi-partisan support for more intellectual property protection and music education.&lt;br /&gt;&lt;br /&gt;The trip ended on Wednesday night with a NAMM-hosted reception in the Capitol building, with special guests Tony Bennett, pianist, singer/song-writer Gavin DeGraw, and Bernie Williams.&lt;br /&gt;&lt;br /&gt;The highlight of the trip for me was getting to sit next to New York Yankees World Series Champion Bernie Williams at the congressional reception. Bernie is a fine guitarist and an incredible human being. He put three days aside to attend our NAMM meetings and visits on Capitol Hill.&lt;br /&gt;&lt;br /&gt;If you have concerns about the effects of reduced music education funding and rampant intellectual property theft affecting our economy and the future of our nation, please take the time to write to your representatives. It’s easy to locate their websites where you can drop them an email. If enough of us speak up, they will listen.&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Sincerely,&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Jim D'Addario&lt;br /&gt;&lt;br /&gt;P.S. – Check out some photos from the WDC trip. . . .&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;a href="http://3.bp.blogspot.com/-31g7VT5oN7E/TgOAko-nn8I/AAAAAAAAAAg/DsVy3NWBKiU/s1600/JD_WDC1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="width: 216px; height: 144px; cursor: pointer;" id="BLOGGER_PHOTO_ID_5621478126852218818" border="0" alt="" src="http://3.bp.blogspot.com/-31g7VT5oN7E/TgOAko-nn8I/AAAAAAAAAAg/DsVy3NWBKiU/s400/JD_WDC1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Jim D’Addario with Tony Bennett and Congressman Steve Israel. Steve represents the district where D’Addario’s NY headquarters is located and has been a tremendous advocate on our behalf.&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;a href="http://1.bp.blogspot.com/-X4RYkNVIdGg/TgOA0TBym6I/AAAAAAAAAAo/DD3Rxus-w5o/s1600/JD_WDC2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="width: 216px; height: 144px; cursor: pointer;" id="BLOGGER_PHOTO_ID_5621478395837848482" border="0" alt="" src="http://1.bp.blogspot.com/-X4RYkNVIdGg/TgOA0TBym6I/AAAAAAAAAAo/DD3Rxus-w5o/s400/JD_WDC2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Jim D’Addario with Tony Bennett&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;a href="http://3.bp.blogspot.com/-AFQ8Nh41zEI/TgOBCKC93aI/AAAAAAAAAAw/JbQ3Si1EVlA/s1600/JD_WDC3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="width: 216px; height: 144px; cursor: pointer;" id="BLOGGER_PHOTO_ID_5621478633945030050" border="0" alt="" src="http://3.bp.blogspot.com/-AFQ8Nh41zEI/TgOBCKC93aI/AAAAAAAAAAw/JbQ3Si1EVlA/s400/JD_WDC3.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Tony Bennett with Congressman Steve Israel and Congressman Tim Bishop&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;a href="http://2.bp.blogspot.com/-tWZK1Z-7VYU/TgOBO0od38I/AAAAAAAAAA4/gXh8-_3mINs/s1600/JD_WDC4.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="width: 309px; height: 234px; cursor: pointer;" id="BLOGGER_PHOTO_ID_5621478851535036354" border="0" alt="" src="http://2.bp.blogspot.com/-tWZK1Z-7VYU/TgOBO0od38I/AAAAAAAAAA4/gXh8-_3mINs/s400/JD_WDC4.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Jim D’Addario with Bernie Williams and Joe Lamond, President &amp;amp; CEO of NAMM&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-3184447646461709754?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/3184447646461709754/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/06/jim-daddario-visits-washington-dc.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3184447646461709754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3184447646461709754'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/06/jim-daddario-visits-washington-dc.html' title='Jim D&apos;Addario Visits Washington, DC'/><author><name>Torey Pirolo - Web Community Specialist</name><uri>http://www.blogger.com/profile/05704150132243618359</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-31g7VT5oN7E/TgOAko-nn8I/AAAAAAAAAAg/DsVy3NWBKiU/s72-c/JD_WDC1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1092956313914080585</id><published>2011-05-22T09:23:00.009-04:00</published><updated>2011-05-22T20:55:45.604-04:00</updated><title type='text'>CAGED - Uncaged</title><content type='html'>I've been playing guitar for 37 years now, and collecting books and videos on the subject for nearly as long. With the advent of eBay, I've been able to go back and re-buy relics from my formative years - old Mel Bay chord books, Pat Thrall's "Improvising Rock Guitar ( an early attempt at teaching Rock), and even earlier kitschy volumes like Ed Sale's "The Guitarists' Book of Knowledge". I have a nice collection and from time to time I thin it out with loaners or giveaways to friends and family.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://musicmansteve.com/books/images/RonnieLeeJazz.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 180px; height: 225px;" src="http://musicmansteve.com/books/images/RonnieLeeJazz.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.guitarflashback.com/guitarbooks/gb162.JPG"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 180px; height: 225px;" src="http://www.guitarflashback.com/guitarbooks/gb162.JPG" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The other day a friend stopped by to help re-configure my studio computer and was asking if I had anything he could work on to get him out of a rut. He's a hobby guitarist who played enough to get decent and now wants to learn more. Everything he knows he figured out by ear, at random moments in time. Without an overall approach or method, he has gaps in is knowledge that frustrate him and while he can HEAR what he wants to play, he does not always know where it is on the neck.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.billedwards.com/7001web.data_/img_01.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 307px; height: 394px;" src="http://www.billedwards.com/7001web.data_/img_01.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I gave him my copy of Bill Edwards' "Fretboard Logic", a modern take on the classic &lt;a style="color: rgb(51, 51, 255);" href="http://www.guitar.com/video/first-year-technique-caged-system-major-pentatonic-scales"&gt;CAGED&lt;/a&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;system. I think my first exposure to it was a 1986 Guitar Player magazine article with Joe Pass. This approach to organizing the fretboard was news to him and after a few minutes of demonstration, light bulbs were popping and it was great to see and hear his enthusiasm. It was like he finally had a set of keys to ALL of the closed doors.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.seedega.com/images/caged.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://www.seedega.com/images/caged.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The great thing about the CAGED method is that it is style-free. It does not matter if you are playing Classic Rock, Jazz or Hip-Hop, the method applies. There are tons of YouTube videos exploring this concept, in addition to the video series at &lt;a style="color: rgb(51, 51, 255);" href="http://www.guitar.com/video/first-year-technique-caged-system-major-pentatonic-scales"&gt;Guitar.com.&lt;/a&gt; Once you start to see the spatial and harmonic relationships - and the differences - the &lt;span style="font-style: italic;"&gt;style&lt;/span&gt; of music does not matter... only the Music.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1092956313914080585?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1092956313914080585/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/05/caged-uncaged.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1092956313914080585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1092956313914080585'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/05/caged-uncaged.html' title='CAGED - Uncaged'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6588983230602415135</id><published>2011-03-31T11:17:00.007-04:00</published><updated>2011-03-31T11:52:08.333-04:00</updated><title type='text'>Fat-Bottomed URLs</title><content type='html'>A few of observations regarding my week at SXSW: First, Rock is alive and well, if not on your local radio dial. I saw roots bands, funk bands, metal bands, Americana bands, soul bands. I liked all of them. The whole trip was worth it if only to see so many good bands, playing good songs on good instruments.&lt;br /&gt;&lt;br /&gt;Second, by far the most popular style of guitar that I saw was the semi-hollow body: Epiphone Sheratons and Casinos, Gibson ES-330, Es-335, ES-125 and their many variations.  Jazz Metal monster &lt;a style="color: rgb(51, 51, 255);" href="http://www.alexskolnick.com/"&gt;Alex Skolnick &lt;/a&gt;was playing a full-sized Heritage. Intersting trend.&lt;br /&gt;&lt;br /&gt;Third, heavier strings are the most popular. Down-tuning is no doubt a large part of it, but we were giving out free sets of strings to attendees that joined our mailing list, and had very few requests for electric .009 gauge strings at our booth. This might be a good time to remind y'all about the sets D'Addario offers in the more hefty gauges:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-31UyTw_Xjbg/TZSeffOKTOI/AAAAAAAACKo/Q1wJP3slihU/s1600/EXL116.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 293px;" src="http://2.bp.blogspot.com/-31UyTw_Xjbg/TZSeffOKTOI/AAAAAAAACKo/Q1wJP3slihU/s320/EXL116.jpg" alt="" id="BLOGGER_PHOTO_ID_5590267301267655906" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-80kMUHivb7U/TZSd0IfQcUI/AAAAAAAACKg/PnMclbWs8S4/s1600/exl117.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 293px;" src="http://3.bp.blogspot.com/-80kMUHivb7U/TZSd0IfQcUI/AAAAAAAACKg/PnMclbWs8S4/s320/exl117.jpg" alt="" id="BLOGGER_PHOTO_ID_5590266556430971202" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Two sets in the "Medium Top-Heavier Bottom" category. The &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145802/EXL116_Medium_Top__Heavy_Bottom_11-52"&gt;EXL116 &lt;/a&gt;is essentially the perennial favorite EXL115 set's E, B and G strings with a beefier D, A and low E. The &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/339125/EXL117_Medium_Top__Extra_Heavy_Bottom_11_-_56"&gt;EXL117&lt;/a&gt; gets heavier starting with the G string.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145816.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 290px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145816.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;If you want a more balanced set, you can try the &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145816/EJ21_Jazz_Light_12-52"&gt;EJ21&lt;/a&gt; set. It has a wound G string, great for rhythm tracks.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145817.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 290px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145817.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;If you still want to bend that G, try the &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145817/EXL145_Heavy_Plain_3rd_12-54"&gt;EXL145&lt;/a&gt; set. It has a plain G and a heavier low E. Once you try some of our pre-made sets, you can swap out &lt;a style="color: rgb(0, 153, 0);" href="http://store.daddario.com/category/154773/XL_Nickel_Wound_Singles"&gt;various gauges&lt;/a&gt; and make up your own custom set using our &lt;a style="color: rgb(51, 102, 255);" href="http://store.daddario.com/category/154554/Plain_Steel_Singles"&gt;single strings&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Check out more string gauges at &lt;span style="color: rgb(204, 0, 0);"&gt;www.daddario.com&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6588983230602415135?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6588983230602415135/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/03/fat-bottomed-urls.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6588983230602415135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6588983230602415135'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/03/fat-bottomed-urls.html' title='Fat-Bottomed URLs'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-31UyTw_Xjbg/TZSeffOKTOI/AAAAAAAACKo/Q1wJP3slihU/s72-c/EXL116.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6075041097205004102</id><published>2011-02-11T12:17:00.004-05:00</published><updated>2011-02-11T13:03:29.777-05:00</updated><title type='text'>Who's Your DADGAD?</title><content type='html'>Altered tunings. While that might describe the un-processed vocal tracks of the latest Super Bowl festivities, in guitardom it means changing your tuning from the standard EADGBE to something a bit more exotic. Intrepid acoustic guitar explorers might start by dropping their Low E down to D at first, in order to get some depth in their accompaniment. That can lead to dropping the Hi E to D as well, and thus the drop D gateway drug leads you to DADGAD or the endless variations thereof. My first conscious exposure to altered tunings was trying to play &lt;a href="http://en.wikipedia.org/wiki/Kashmir_%28song%29"&gt;"Kashmir"&lt;/a&gt; in standard.  In can be done, but not as easily as in DADGAD.&lt;br /&gt;&lt;br /&gt;There are a host of guitar players who tune to DADGAD and have made it part of their signature sound doing so, such as &lt;a href="http://www.pierrebensusan.com/index.php?newlang=english"&gt;Pierre Bensusan&lt;/a&gt; and &lt;a href="http://www.laurencejuber.com/lj.html"&gt;Laurence Juber &lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_414960.jpg"&gt;&lt;img style="cursor: pointer; width: 447px; height: 400px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_414960.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;D'Addario strings have always sounded great in alternate tunings, but it took some getting used to the different feel and tension of a slacked string intended for standard tuning. The new &lt;a href="http://store.daddario.com/category/414960/EJ24_True_Medium__DADGAD_Tuning_.013-.056"&gt;EJ24 True Medium&lt;/a&gt; set addresses this by using a smaller core wire in the 3rd, 4th and 5th strings.&lt;br /&gt;&lt;br /&gt;&lt;table class="frettedsingles         " border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr class="frettedsinglesheaderrow"&gt;&lt;td colspan="2" width="100"&gt;&lt;br /&gt;&lt;/td&gt;  &lt;td colspan="2" width="80"&gt;  Diameter&lt;/td&gt;  &lt;td colspan="2" width="80"&gt;      Tension&lt;/td&gt;  &lt;/tr&gt;  &lt;tr class="frettedsinglesheaderrow"&gt;  &lt;td&gt;Item#&lt;/td&gt;  &lt;td&gt;Note&lt;/td&gt;  &lt;td&gt;inches&lt;/td&gt;  &lt;td&gt; mm&lt;/td&gt;  &lt;td&gt;    lbs&lt;/td&gt;  &lt;td&gt;     kg&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PL013&lt;/td&gt;  &lt;td&gt;   E&lt;/td&gt;  &lt;td&gt;0.013&lt;/td&gt;  &lt;td&gt; 0.33&lt;/td&gt;  &lt;td&gt;  27.4&lt;/td&gt;  &lt;td&gt;   12.42&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PL017&lt;/td&gt;  &lt;td&gt;   B&lt;/td&gt;  &lt;td&gt;0.017&lt;/td&gt;  &lt;td&gt; 0.43&lt;/td&gt;  &lt;td&gt;  26.3&lt;br /&gt;&lt;/td&gt;  &lt;td&gt;   11.91&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PB024&lt;/td&gt;  &lt;td&gt;   G&lt;/td&gt;  &lt;td&gt;0.024&lt;/td&gt;  &lt;td&gt; 0.61&lt;/td&gt;  &lt;td&gt;  30.2&lt;/td&gt;  &lt;td&gt;   13.38&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PB032&lt;/td&gt;  &lt;td&gt;   D&lt;/td&gt;  &lt;td&gt;0.032&lt;/td&gt;  &lt;td&gt; 0.81&lt;/td&gt;  &lt;td&gt;  30.5&lt;/td&gt;  &lt;td&gt;   13.83&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PB042&lt;br /&gt;&lt;/td&gt;  &lt;td&gt;   A&lt;/td&gt;  &lt;td&gt;0.042&lt;/td&gt;  &lt;td&gt; 1.07&lt;/td&gt;  &lt;td&gt;  29.9&lt;/td&gt;  &lt;td&gt;   13.56&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;  &lt;td&gt;PB056&lt;/td&gt;  &lt;td&gt;   E&lt;/td&gt;  &lt;td&gt;0.056&lt;/td&gt;  &lt;td&gt; 1.42&lt;/td&gt;  &lt;td&gt;  29.0&lt;br /&gt;&lt;/td&gt;  &lt;td&gt;   13.15&lt;/td&gt;  &lt;/tr&gt;  &lt;/tbody&gt;  &lt;/table&gt;&lt;br /&gt;These strings have an even-feel  tension in both standard and DADGAD tunings. String up your acoustic with the EJ 24 set and DADGAD it.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6075041097205004102?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6075041097205004102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/02/whos-your-dadgad.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6075041097205004102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6075041097205004102'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/02/whos-your-dadgad.html' title='Who&apos;s Your DADGAD?'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-7211138264408817293</id><published>2011-01-24T15:30:00.004-05:00</published><updated>2011-01-24T15:58:58.742-05:00</updated><title type='text'>New at NAMM 2011</title><content type='html'>It's hard to think of new and innovative things to do when you already make strings for just about everything. Luckily, the minds of D'Addario never rest and we have a few new products to offer that just might be what you've been waiting for.&lt;br /&gt;&lt;br /&gt;For bass players, the official launch of the Nylon Tapewound bass strings is here. You can read about these strings in an earlier post &lt;a style="color: rgb(51, 51, 255);" href="http://daddarioinc.blogspot.com/2010/10/big-fat-warm-sound-of-tape.html"&gt;here&lt;/a&gt;. In a nutshell, dig out your Hofner, slap a set of tapewounds on and play along to everything up through Sgt. Pepper's.&lt;br /&gt;&lt;br /&gt;Back the the Dead comes D'Addario Reds. By popular demand, we are re-issuing the Reds series of strings, this time with EXP coating over the copper/steel alloy. Make your favorite bass a red-threaded stepchild with EXP Reds.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.daddario.com/resources/jdcdad/images/news/da_news_EXPR170.jpg"&gt;&lt;img style="cursor: pointer; width: 200px; height: 200px;" src="http://www.daddario.com/resources/jdcdad/images/news/da_news_EXPR170.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For flamenco players seeking a bright attack and a supple feel (hey, that practically describes the music...and the dancers!), D'Addario introduces the EJ25C Flamenco Guitar set in our Pro Arte line. Get your rasgueados rockin' and rollin'.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.daddario.com/resources/JDCDAD/images/news/da_news_EJ25C.jpg"&gt;&lt;img style="cursor: pointer; width: 195px; height: 200px;" src="http://www.daddario.com/resources/JDCDAD/images/news/da_news_EJ25C.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Houdini may never have found a true medium, but you can with the EJ24 True Mediums. Using a smaller diameter core for the 3rd, 4th and 5th strings gives a balanced feel to the whole set. Perfect for DADGAD tunings&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.stringsbymail.com/store/images/ej24.jpg"&gt;&lt;img style="cursor: pointer; width: 200px; height: 200px;" src="http://www.stringsbymail.com/store/images/ej24.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Shredders and MIDI guitar players will dig the balanced tension set, the EXL111. Every string feels the same, tension-wise, regardless of pitch or diameter.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.daddario.com/resources/jdcdad/images/news/da_news_exl111.jpg"&gt;&lt;img style="cursor: pointer; width: 196px; height: 200px;" src="http://www.daddario.com/resources/jdcdad/images/news/da_news_exl111.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-7211138264408817293?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/7211138264408817293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2011/01/new-at-namm-2011.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/7211138264408817293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/7211138264408817293'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2011/01/new-at-namm-2011.html' title='New at NAMM 2011'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-274034943949429898</id><published>2010-12-02T09:01:00.005-05:00</published><updated>2010-12-02T12:10:01.964-05:00</updated><title type='text'>Mandolin Win</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145987.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145987.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152855.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152855.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145961.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145961.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145992.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145992.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152852.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152852.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_144866.jpg"&gt;&lt;img style="cursor: pointer; width: 104px; height: 95px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_144866.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;It's a family affair at D'Addario when it comes to mandolin strings. We offer the widest selection anywhere, from stainless steel sets for a bright tone and excellent sound with a magnetic pickup, to ground round wound Flat Tops, traditional loop end to ball end.&lt;br /&gt;&lt;br /&gt;We have strings to fit the entire &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/144863/Mandolin_Family"&gt;mandolin family&lt;/a&gt;: mandolin, mandola, mandocello, octave mandolin  and mandobass.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-274034943949429898?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/274034943949429898/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/12/mandolin-win.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/274034943949429898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/274034943949429898'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/12/mandolin-win.html' title='Mandolin Win'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6341646061406102268</id><published>2010-10-29T09:49:00.002-04:00</published><updated>2010-10-29T10:14:14.966-04:00</updated><title type='text'>The Big, Fat, Warm Sound of Tape</title><content type='html'>Bass players are an interesting bunch. There's a school that puts on a set on strings and leaves them on until they break. There are some who change strings between every take in the studio.  Some like steel, some prefer nickel, some use round wound, some swear by half round, some only play flat round. Lots of flavors, and D'Addario offers sets in every popular gauge, finish and metallurgical compound.&lt;br /&gt;&lt;br /&gt;Ever since the mid-sixties, the trend had been mostly towards a brighter, crisper sound, with roundwounds leaping over flatwounds in popularity and nickel plated steel and stainless steel winning out over the old school nylon tapewounds. In fact, it's  been a litle difficult to find a quality tapewound string. If you were looking to recreate the sound of the early British invasion (and even Abbey Road), there were only a couple of brands that survived the fads and trends.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://lh3.googleusercontent.com/public/41JhIU79HXbLT21XxWv-MC9SXs8pckHx5mcsP7XqIhODtInczWpubyJOz4zaTlLdugw2rrfRHsBx70i4M4nNcAyPwbWdzyiluINL8aOflhMFqYCF7yzGbSTwVLPwI8kFUUSw0SK6FpDdtbi5kBuY3IkZqEKymDmyCJmqJcKxR9hg7jmVeR-lKo8KyknWjD_nziXDNznWEn-sIqT6gjvpRIemJjdHbcFeLG0"&gt;&lt;img style="cursor: pointer; width: 120px; height: 120px;" src="http://lh3.googleusercontent.com/public/41JhIU79HXbLT21XxWv-MC9SXs8pckHx5mcsP7XqIhODtInczWpubyJOz4zaTlLdugw2rrfRHsBx70i4M4nNcAyPwbWdzyiluINL8aOflhMFqYCF7yzGbSTwVLPwI8kFUUSw0SK6FpDdtbi5kBuY3IkZqEKymDmyCJmqJcKxR9hg7jmVeR-lKo8KyknWjD_nziXDNznWEn-sIqT6gjvpRIemJjdHbcFeLG0" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;ETB92&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Luckily, D'Addario has been working on their own nylon tapewound bass string in classic black, and now it is here in our new ETB92 set. Throw these on your Hofner, Rickenbacker or P-Bass and feel the almost zero friction and the fat, warm sound  - similar to an upright bass  - coming from your amp.&lt;br /&gt;&lt;br /&gt;If you've never tried them, be prepared for a smooth, thumpy string that tunes up quickly and stays there. Many players leave them on for years, since they sound "dead" right out of the box and don't seem to have a "lifespan" that starts out bright and gradually dies out. Definitely a sound to check out.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6341646061406102268?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6341646061406102268/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/10/big-fat-warm-sound-of-tape.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6341646061406102268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6341646061406102268'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/10/big-fat-warm-sound-of-tape.html' title='The Big, Fat, Warm Sound of Tape'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-5970082965558821433</id><published>2010-09-23T22:28:00.002-04:00</published><updated>2010-09-23T22:38:51.658-04:00</updated><title type='text'>Refresh Your Music</title><content type='html'>Sometimes you just can't put your guitar down, sometimes you have to dust it before you strum a chord. I spent a lot of years as a teenager with a guitar draped around my neck for most of the day...couldn't get enough of it. Once I realized that I wasn't going to pay my bills &lt;span style="font-style:italic;"&gt;playing&lt;/span&gt; it, but might do OK by selling/marketing/tuning them, I didn't play as often. I might pick it up for several days in a row, but I might skip a day or two or three from time to time.&lt;br /&gt;&lt;br /&gt;I've been trying to get inspired lately, now that I'm 48 years old (at least for a few more months) fully immersed in the business and actually home on weekends these days...and I found a new way to do it.&lt;br /&gt;&lt;br /&gt;Change your strings. Even if you just put a set on recently, try a different gauge or a different formula next time. Go 80/20 instead of Phosphor Bronze. Try a set of EXP Electrics and put some Flat Tops on your dreadnought.&lt;br /&gt;&lt;br /&gt;If it's been a while, a fresh set of D'Addario strings will help re-kindle the old flame you have with your instrument. &lt;br /&gt;&lt;br /&gt;Try some other things to get you started on new paths. Learn a favorite solo note for note. Make a vow to only play slide for a week. Take off both E strings and explore the inside set of strings for a month. You'll be  amazed what you'll discover about your guitar, about music and about your own playing.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-5970082965558821433?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/5970082965558821433/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/refresh-your-music.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5970082965558821433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5970082965558821433'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/refresh-your-music.html' title='Refresh Your Music'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-5921584081600480972</id><published>2010-09-22T13:30:00.002-04:00</published><updated>2010-09-24T11:53:31.545-04:00</updated><title type='text'>Play Real – Beware of counterfeit products</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/TJzJae4SBbI/AAAAAAAAAEM/P2bL_L0OiVU/s1600/string_packages.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 190px; height: 320px;" src="http://2.bp.blogspot.com/_zpKlK72iF0U/TJzJae4SBbI/AAAAAAAAAEM/P2bL_L0OiVU/s320/string_packages.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5520508700052293042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;It is said that imitation is the highest form of flattery. Unfortunately, today’s global market place has seen imitation taken to a whole new level. I am referring to the flagrant counterfeiting of popular brands of consumer merchandise from hand bags, watches, pens, jeans and yes, guitar strings.&lt;br /&gt;&lt;br /&gt;Initially, counterfeit versions of D’Addario branded music strings were easily identifiable. The packaging materials, print quality and the quality of the actual product were noticeably inferior. Today, with the help of high-resolution scanners and computer software, the counterfeiters have mastered the art and science of duplicating packaging. In many cases, our own quality control staff has to use high-power magnification to discern a fake from an authentic D’Addario string package.&lt;br /&gt;&lt;br /&gt;Distinguishing between the fake and the real strings is another story. The quality of the counterfeit strings themselves has not improved appreciably. They are still primarily hand-wound strings on unsophisticated machinery, made by unskilled workers using inferior materials. This poses a serious threat to our brand equity and our loyal customers. Most of the counterfeit strings we have tested cannot even be tuned to pitch and do not have any of the quality attributes of a properly-designed and consistently-manufactured music string.&lt;br /&gt;&lt;br /&gt;Counterfeit strings are now finding their way onto websites and now into legitimate music stores all over the world. Recently, we have found fake D’Addario string sets in the UK, Germany, Brazil, Greece, Turkey, Romania and many more. A recent survey of over 100 retail stores in four Chinese cities indicated that many shops had genuine D’Addario strings, but a majority also had counterfeit versions. It is almost impossible for the consumer to discern the difference by simply looking at the packaging.&lt;br /&gt;&lt;br /&gt;In response to this threat, we have been working diligently on many fronts to combat this illegal and unethical activity.&lt;br /&gt;&lt;br /&gt;1. We have hired investigators and lawyers to identify and raid manufacturers (primarily in The People’s Republic of China at this time).&lt;br /&gt;&lt;br /&gt;2. We have raided three string producers that were caught with D’Addario and other popular brands of musical strings and packaging in various stages of manufacture. We will continue this investigation and enforcement approach.&lt;br /&gt;&lt;br /&gt;3. We have been in active dialog with the U.S. Commerce Department, the State Department, the U.S. Trade Representative’s office and the International Trade Commission. Recently, the Senate Finance Committee requested that the ITC investigate China’s intellectual property infringement policies and make a report to Congress on the economical impact their lack of enforcement is having on the U.S. economy. I testified at a hearing for this investigation and illustrated the effects that the counterfeiting of our product is having on our company, particularly in our ability to create and maintain new job opportunities and grow our share of the domestic Chinese music string market.&lt;br /&gt;&lt;br /&gt;4. In the summer of 2009, we began converting all guitar string product over to a new inner package that includes a unique serial number on each and every set of strings. After one year, a majority of the inventory on distributor and retailer shelves now has this new serial number technology. This number resides in an accessible database so that consumers, retailers, distributors and customs officials can actually go to www.daddario.com/playreal and determine if the set of strings they have in their hand has a legitimate ‘Play-Real’ serial number in our database.&lt;br /&gt;&lt;br /&gt;5. We have begun a Play D’Addario/Play Real marketing campaign in selected markets to help raise awareness to the problem and to educate our users on how to identify fake D’Addario strings.&lt;br /&gt;&lt;br /&gt;With over a dozen family members active in the management of our company, D’Addario has endeavored to set the bar for musical accessory quality. We pride ourselves on the consistency in quality that we build into the design of our products and the processes we use to manufacture them. We also stand behind our products and openly welcome our customers to return any D’Addario branded string or accessory they purchase that does not perform to their expectations.&lt;br /&gt;&lt;br /&gt;In the past two, years we have seen an increase in the number of defective strings being returned that are in fact counterfeit product. In each case, we will replace defective strings at no cost to you (whether they are genuine or fake). We ask our customers to cooperate with us in tracking down the source of any counterfeit products we receive from them. This dialogue is a huge help to us and we encourage you to communicate with us if ever you have difficulty with any our products.&lt;br /&gt;&lt;br /&gt;We also ask that you consider these points when making string purchases:&lt;br /&gt;&lt;br /&gt;• Most counterfeiters supply their products online. If you see an unbelievably low price advertised for any of our products, there is a very good chance the products being offered are not genuine. Ask questions and report unusually advertised prices to us at playreal@daddario.com so we can investigate.&lt;br /&gt;&lt;br /&gt;• All D’Addario products you may purchase online from a Chinese source at low prices are invariably counterfeit. It is virtually impossible for a legitimate importer or retailer of D’Addario strings in Asia to offer lower prices than are offered in your native market place. On most sites, such as eBay for instance, the country of origin for the sale is available to you. Remember, the unethical business people making counterfeit products have no issue with putting Made and Printed in USA on their product, even if it is not. Do not be fooled by the packaging.&lt;br /&gt;&lt;br /&gt;• Look for the D’Addario Play-Real serial number printed on the inner corrosion protection bag for all our string sets. If there is a number on the set, go online and check to see if it is legitimate. Help us by informing us of any sets with serial numbers that are not legitimately coded into our database.&lt;br /&gt;&lt;br /&gt;We are never going to completely purge the global market place of the unethical and illegal practice of counterfeiting, but together we can probably control this menace.&lt;br /&gt;&lt;br /&gt;We appreciate your cooperation and consideration.&lt;br /&gt;&lt;br /&gt;Yours truly,&lt;br /&gt;&lt;br /&gt;Jim D’Addario&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-5921584081600480972?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/5921584081600480972/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/play-real-beware-of-counterfeit.html#comment-form' title='26 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5921584081600480972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5921584081600480972'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/play-real-beware-of-counterfeit.html' title='Play Real – Beware of counterfeit products'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_zpKlK72iF0U/TJzJae4SBbI/AAAAAAAAAEM/P2bL_L0OiVU/s72-c/string_packages.jpg' height='72' width='72'/><thr:total>26</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6154914440953373692</id><published>2010-09-05T17:59:00.014-04:00</published><updated>2010-09-05T18:08:17.982-04:00</updated><title type='text'>Andrew DeRoberts of the Kris Allen Band</title><content type='html'>&lt;object width="500" height="325"&gt;&lt;param name="movie" value="http://www.youtube.com/v/C9-74EnMcQA?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/C9-74EnMcQA?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="305"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6154914440953373692?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6154914440953373692/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/andrew-deroberts-of-kris-allen-band.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6154914440953373692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6154914440953373692'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/09/andrew-deroberts-of-kris-allen-band.html' title='Andrew DeRoberts of the Kris Allen Band'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-4147921881017342687</id><published>2010-07-14T08:56:00.003-04:00</published><updated>2010-07-14T09:28:31.890-04:00</updated><title type='text'>If I Had a Nickel...</title><content type='html'>Once you find a favorite guitar string, it's easy to fall into the habit of buying the same set over and over, never trying anything new or different. It's great when a set of XL110's works on every guitar you own, since one more variable in your tone chain can be on "automatic". That's a great place to be.&lt;br /&gt;&lt;br /&gt;But I think that as comfortable as that is, from time to time you should experiment a little with string gauges and composition.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145788.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145788.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145843.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145843.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Try the EXL140 set if you are interested in hearing a bigger rhythm sound. Try a wound G string Flat Wound set on any Jazz-style hollowbody you might have.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145796.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145796.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Knock down some of the harsher high end from a Tele or Strat with a set of pure Nickel strings. The softer feel of the Nickel sets and reduced tension can make a stiff-playing guitar into a smooth machine.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145837.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145837.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Put some sparkle into dark humbucker with a ProSteel set.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145815.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145815.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145832.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145832.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Reduce fret chatter and friction on your slide guitar with Half Rounds or acoustic Flat Tops.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152620.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152620.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_339131.jpg"&gt;&lt;img style="cursor: pointer; width: 247px; height: 200px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_339131.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Get a broken-in sound fresh from the package and 3-4 times the string life with EXP strings for both acoustic and electric.&lt;br /&gt;&lt;br /&gt;D'Addario has a full line and many options. Take a chance and experiment with the above suggestions, or click on over to our &lt;a style="color: rgb(51, 51, 255);" href="http://www.daddario.com/DaddarioHome.Page?ActiveID=1740"&gt;website &lt;/a&gt;and look around for yourself. You just might find the perfect strings for all of your guitars.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-4147921881017342687?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/4147921881017342687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/07/if-i-had-nickel.html#comment-form' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4147921881017342687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4147921881017342687'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/07/if-i-had-nickel.html' title='If I Had a Nickel...'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-4525864624362220430</id><published>2010-06-22T17:37:00.001-04:00</published><updated>2010-06-22T17:40:16.461-04:00</updated><title type='text'>Ricky Skaggs and Gordon Kennedy</title><content type='html'>&lt;object width="380" height="285"&gt;&lt;param name="movie" value="http://www.youtube.com/v/TzO1N6exzn8&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/TzO1N6exzn8&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="380" height="285"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-4525864624362220430?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/4525864624362220430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/06/ricky-skaggs-and-gordon-kennedy.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4525864624362220430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/4525864624362220430'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/06/ricky-skaggs-and-gordon-kennedy.html' title='Ricky Skaggs and Gordon Kennedy'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8806710424171965398</id><published>2010-06-15T00:45:00.009-04:00</published><updated>2010-06-15T11:48:07.494-04:00</updated><title type='text'>In The Studio With... Ricky Skaggs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.rickyskaggs.com/domain/821/upload/docs/RickyGordon.jpg"&gt;&lt;img style="cursor: pointer; width: 430px; height: 321px;" src="http://www.rickyskaggs.com/domain/821/upload/docs/RickyGordon.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:85%;" &gt;Ricky Skaggs and Gordon Kennedy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Country and Bluegrass legend &lt;a style="color: rgb(51, 51, 255);" href="http://www.rickyskaggs.com/"&gt;Ricky Skaggs&lt;/a&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;is putting the finishing touches on his new record, with guitar monster Gordon Kennedy playing, co-writing and co-producing. I had the honor of visiting Ricky at his studio in Hendersonville, TN to drop off a few samples of&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145769/EXP_Coated_Phosphor_Bronze_Wound"&gt;EXP &lt;/a&gt;acoustic strings, &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/146483?language_id=1&amp;amp;currency_id=1"&gt;Planet Waves&lt;/a&gt; capos and headstock tuners, and was treated to an impromptu fretless banjo demonstration.&lt;br /&gt;&lt;br /&gt;Ricky is looking for some different gauged strings for the banjo and I wanted to document the banjo's sound as it is now and try to help determine where to start with outfitting such an odd-ball instrument. As always, a stringed instrument in Ricky Skaggs' hands is soon to be making deep music.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/XgU-EYiB8yg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/XgU-EYiB8yg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="480"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8806710424171965398?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='enclosure' type='video/mp4' href='http://www.blogger.com/video-play.mp4?contentId=d3ca5997a1001df3&amp;type=video%2Fmp4' length='0'/><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8806710424171965398/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/06/in-studio-with-ricky-skaggs.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8806710424171965398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8806710424171965398'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/06/in-studio-with-ricky-skaggs.html' title='In The Studio With... Ricky Skaggs'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1814898988296859019</id><published>2010-05-24T14:20:00.003-04:00</published><updated>2010-05-24T14:55:00.556-04:00</updated><title type='text'>Mr. In-Between</title><content type='html'>String gauges. Some players never get beyond "Light" and "Medium", never mind Custom Light, Light Top/Heavy Bottom, etc. But for those that do, there is a whole world of alternate and in-between gauge guitar strings worth exploring.&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;If you are interested in finding the right strings for your guitar - your &lt;span style="font-style: italic;"&gt;particular&lt;/span&gt; guitar, as played by &lt;span style="font-style: italic;"&gt;you&lt;/span&gt; - then a little research can yield great rewards. Acoustic players in general seem to gravitate toward one of two generic gauges, Light and Medium. Beginning players and those with tender fingers find lights to be easier to play, and when "producing good tone" is farther down the list than "switching from C to G", that's fine. Some less expensive guitars may even respond better to light gauge strings, as anything heavier will case the action to be uncomfortable.&lt;br /&gt;&lt;br /&gt;Eventually, though, it's a good idea to try a hybrid set to see if you (and your guitar) like a heavier gauge. D'Addario makes a "Bluegrass" set in both regular and coated versions. The Bluegrass set is the Low E, A and D strings from a Medium set and the G, B, and High E strings of a light set.&lt;br /&gt;&lt;br /&gt;In the Bluegrass world, this gives the player the ability to bend the top strings for solos and keep a fat rhythm sound when playing backup. I don't play Bluegrass, but I do play a lot of gigs backing up a singer/songwriter, where I am adapting electric lead guitar parts for acoustic and also trying to keep the drive of the bass and drums at least partly alive on the low strings. The &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/152621/EJ19_12-56_Light_TopMedium_Bottom_12-59"&gt;EJ19&lt;/a&gt; and &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/152620/EXP19_Light_TopMedium_Bottom_12-56"&gt;EXP19&lt;/a&gt; sets are perfect for that, and a nice bridge from Light to Medium.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145811.jpg"&gt;&lt;img style="cursor: pointer; width: 178px; height: 170px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145811.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152620.jpg"&gt;&lt;img style="cursor: pointer; width: 178px; height: 170px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_152620.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145831.jpg"&gt;&lt;img style="cursor: pointer; width: 178px; height: 170px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145831.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Electric players have even more choices, with sets as light as .08 and even half-gauges like the &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145839/EXL110%2B_Regular_Light_Plus_10.5-48"&gt;EXL110+&lt;/a&gt; set that has 10.5, 13. 5, 18, 28, 38, 48 gauges. In general, I like &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145800/EXL115_BluesJazz_Rock_11-49"&gt;EXL115 &lt;/a&gt;on my Gibson-scale guitars and &lt;a style="color: rgb(51, 51, 255);" href="http://store.daddario.com/category/145784/EXL110_Regular_Light_10-46"&gt;EXL110&lt;/a&gt; on my Fenders, but some models just seem a little to slack or too stiff. The in-between options solve that issue nicely. Check them out if your strings seem just a little off, or if you want to have, for example, one Telecaster with 10s and one a little heavier with 10.5s&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145784.jpg"&gt;&lt;img style="cursor: pointer; width: 188px; height: 180px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145784.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x01_145839.jpg"&gt;&lt;img style="cursor: pointer; width: 188px; height: 180px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x01_145839.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145800.jpg"&gt;&lt;img style="cursor: pointer; width: 188px; height: 180px;" src="http://mediacdn.shopatron.com/media/mfg/421/category_image/x02_145800.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1814898988296859019?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1814898988296859019/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/05/mr-in-between.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1814898988296859019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1814898988296859019'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/05/mr-in-between.html' title='Mr. In-Between'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8111459536299434061</id><published>2010-05-12T20:35:00.007-04:00</published><updated>2010-05-20T12:39:13.084-04:00</updated><title type='text'>Who'll Stop The Rain</title><content type='html'>As you might have heard, Nashville, Tennessee suffered historic flooding last week and the city’s largest gear storage and rehearsal hall, “&lt;a style="color: rgb(51, 51, 255);" href="http://soundchecknashville.com/"&gt;Soundcheck&lt;/a&gt;” was filled with 42 inches of toxic river water. Many guitars, amps, keyboards and drums were ruined by the exposure to the water, with only a few items that were on shelves or stacked high enough surviving.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=6&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60"&gt;&lt;img style="cursor: pointer; width: 254px; height: 352px;" src="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=6&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;After the water receded, many musicians moved their gear to an emergency storage facility far from the Cumberland to assess the damage and begin the drying out process. 20 volunteer luthiers and repairmen showed up to strip the at-risk guitars into necks, bodies and hardware (if possible) and clean them up with a 70/30 solution of distilled water and alcohol.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=1&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60"&gt;&lt;img style="cursor: pointer; width: 528px; height: 352px;" src="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=1&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Electronics were dried out and sprayed with Blue Shower or De-Oxit contact cleaner in hopes that they might one day be put back in service. Many guitars, amps and keyboards were beyond rescue, and with flood insurance being low on most players’ priority lists, will be total losses.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=10&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60"&gt;&lt;img style="cursor: pointer; width: 528px; height: 352px;" src="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=10&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My advice to anyone living near a body of water and to those storing the tools they use to make living &lt;span style="font-style: italic;"&gt;near&lt;/span&gt; a body of water: buy flood insurance. Keep your really good stuff at home. If you can’t do that, put your really good stuff on a high shelf. Keep your really good electronic stuff in a Pelican water-proof case. I have a friend who had many microphones survive because they were in a sealed Pelican case.&lt;br /&gt;&lt;br /&gt;An interesting side-note... While the cardboard boxes were soaked and ruined, the sealed packages of D'Addario strings were just fine once they got a soapy-water bath.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=18&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60"&gt;&lt;img style="cursor: pointer; width: 235px; height: 352px;" src="http://cmsimg.tennessean.com/apps/pbcsi.dll/bilde?NewTbl=1&amp;amp;Site=DN&amp;amp;Date=20100510&amp;amp;Category=NEWS01&amp;amp;ArtNo=5100803&amp;amp;Ref=PH&amp;amp;Item=18&amp;amp;Maxw=542&amp;amp;Maxh=352&amp;amp;q=60" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;Photos courtesy Nashville Tennessean&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;If you'd like to help, here are some charities concerned with the flooding in Nashville:&lt;/span&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.secondharvestmidtn.org/"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Second Harvest Food Bank&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.hon.org/"&gt;&lt;span style="font-size:100%;"&gt;Hands On Nashville&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.salvarmy-nashville.org/"&gt;&lt;span style="font-size:100%;"&gt;Salvation Army&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.nashvilleredcross.org/"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Nashville Red Cross&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a style="color: rgb(51, 51, 255);" href="http://www.lownotesfornashville.org/"&gt;&lt;br /&gt;Low Notes For Nashville&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.lownotesfornashville.org"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8111459536299434061?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8111459536299434061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/05/wholl-stop-rain.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8111459536299434061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8111459536299434061'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/05/wholl-stop-rain.html' title='Who&apos;ll Stop The Rain'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-3329561965591756342</id><published>2010-04-15T21:40:00.000-04:00</published><updated>2010-04-15T16:45:21.487-04:00</updated><title type='text'>The Two-Finger Stringing Method</title><content type='html'>&lt;div style="TEXT-ALIGN: justify"&gt;Getting the optimum amount of wraps around the tuner post when changing strings can be challenging for a beginner. There are many ways to string a guitar, and most of them valid. Try a few different ones to see which you like best.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;Here's how I do it on a Fender-style guitar with slotted posts:&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;b&gt;Step 1:&lt;/b&gt; Remove all of the old strings from the guitar.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify; CLEAR: both" class="separator"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6llxxlZ7JI/AAAAAAAACBg/nGPmKBWezuo/s1600-h/DSCN0469.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6llxxlZ7JI/AAAAAAAACBg/nGPmKBWezuo/s320/DSCN0469.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Step 2:&lt;/b&gt; Beginning with the low E (6th) string, grab the string at the bridge and make sure it does not twist by sliding it through your fingers as you pull it towards the headstock.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify; CLEAR: both" class="separator"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lmTLO0w8I/AAAAAAAACBo/1eDUN18-Ksk/s1600-h/DSCN0470.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lmTLO0w8I/AAAAAAAACBo/1eDUN18-Ksk/s320/DSCN0470.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;b&gt;Step 3:&lt;/b&gt; Place two fingers on top of the nut and pull the string snug. &lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify; CLEAR: both" class="separator"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lnD5KVgsI/AAAAAAAACB4/NuzurWGLOAo/s1600-h/DSCN0472.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lnD5KVgsI/AAAAAAAACB4/NuzurWGLOAo/s320/DSCN0472.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;Measure where to cut the string by stretching it to two pegs &lt;i&gt;past &lt;/i&gt;the one you are stringing. For the low E string, you would use the D (4th) string's tuning post. Remove the two-finger bridge and grab the string as shown above.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;Cut the string with a wire cutter. Planet Waves has a &lt;a href="http://store.daddario.com/category/146452?language_id=1&amp;amp;currency_id=1"&gt;Pro Winder&lt;/a&gt; that is ideal for this job.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lnb4A16TI/AAAAAAAACCA/9vOAhUNvEZI/s1600-h/DSCN0473.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_x4YyPz0xQW4/S6lnb4A16TI/AAAAAAAACCA/9vOAhUNvEZI/s320/DSCN0473.JPG" /&gt;&lt;/a&gt;&lt;b&gt; &lt;/b&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;b&gt;Step 4:&lt;/b&gt; Place the end of the string into the hole of the tuning post.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://1.bp.blogspot.com/_x4YyPz0xQW4/S6ln2glXF0I/AAAAAAAACCI/8WPcVb-IIe8/s1600-h/DSCN0474.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_x4YyPz0xQW4/S6ln2glXF0I/AAAAAAAACCI/8WPcVb-IIe8/s320/DSCN0474.JPG" /&gt;&lt;/a&gt; &lt;b&gt; &lt;/b&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;b&gt;Step 5: &lt;/b&gt;With your right hand, keep the string taut while you wind the peg. You'll need some support for the neck. I'm using the Planet Waves &lt;a href="http://store.daddario.com/category/146546?language_id=1&amp;amp;currency_id=1"&gt;Headstand&lt;/a&gt;.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://3.bp.blogspot.com/_x4YyPz0xQW4/S6loPXFioyI/AAAAAAAACCQ/MOK-pCw8zWg/s1600-h/DSCN0475.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_x4YyPz0xQW4/S6loPXFioyI/AAAAAAAACCQ/MOK-pCw8zWg/s320/DSCN0475.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;Tune the string to pitch, making sure all wraps go under the previous wrap. This should give you 1.5 to 2 wraps on wound strings and 3-4 on plain strings.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify; CLEAR: both" class="separator"&gt;&lt;a style="MARGIN-BOTTOM: 1em; FLOAT: left; CLEAR: left; MARGIN-RIGHT: 1em" href="http://1.bp.blogspot.com/_x4YyPz0xQW4/S6lonsfXjHI/AAAAAAAACCY/12_qVdTM4GI/s1600-h/DSCN0479.JPG" imageanchor="1"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_x4YyPz0xQW4/S6lonsfXjHI/AAAAAAAACCY/12_qVdTM4GI/s320/DSCN0479.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;br /&gt;&lt;b&gt;Step 6:&lt;/b&gt; When you get to the B and E strings, measure by grabbing the string at the target post and pull it back by two pegs to measure, then cut.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-3329561965591756342?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/3329561965591756342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/two-string-method.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3329561965591756342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3329561965591756342'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/two-string-method.html' title='The Two-Finger Stringing Method'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_x4YyPz0xQW4/S6llxxlZ7JI/AAAAAAAACBg/nGPmKBWezuo/s72-c/DSCN0469.JPG' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-6926250575180100248</id><published>2010-03-24T14:53:00.006-04:00</published><updated>2010-04-13T10:51:46.302-04:00</updated><title type='text'>A Flat Tire In Paradise with Mountain Heart</title><content type='html'>It’s March 9, 2010 if I’m not mistaken. It seems I’ve lost all track of the date, time, and especially the fast paced lifestyle I’m used to. The Mountain Heart guys and I have been in St. Croix in the Virgin Islands for a week now!! We had yet another ridiculous day of travel on the way down with the airlines that I will touch on later because I wanna focus on the positives first :).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_zpKlK72iF0U/S6pjQYXxf2I/AAAAAAAAAD0/7KUNclBMOgE/s1600/2+guys.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 320px; FLOAT: left; HEIGHT: 240px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452279431956627298" border="0" alt="" src="http://3.bp.blogspot.com/_zpKlK72iF0U/S6pjQYXxf2I/AAAAAAAAAD0/7KUNclBMOgE/s320/2+guys.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;What they say about operating on "island time" is so true. I found myself waking up at 9 or 10 a.m. most mornings, and then lounging around on the beach until gig time in the evenings. The eighty-degree temperatures, midnight swims, amazing food, loyal music fans, and overall positive vibe on the island was beyond refreshing for us. Early in the trip I commented to one of the guys that, "it takes me about 48 hours to acclimate to everything on a trip like this and then, I’m golden." That was definitely the case this time. After about a day and a half of going through technology withdrawal, I finally felt comfortable having my cell phone off, my Facebooks, Twitter, and MySpace not updated :). I got my body hydrated enough to handle the heat, and most of all, I got used to having to ride in cars on the wrong side of the road with crazy Cruzans running 65mph into 90 degree turns! It’s amazing how much more you seem to get out of human interaction and life in general without all the unnecessary daily distractions. The conversations we had and especially the music that was created, was much more than a light connection between the individuals involved. Each encounter seemed to mean a little more. The amazing support of the crowds and all of our friends on the island just took this experience to another level. At least once a night, something very special happened on stage and I think the crowd knew it. I personally felt like my soul was spilling out in front of me..."it was like a mixture of Fergie and Jesus". :) I said all that to say that there’s something truly special about St. Croix and the amazing people that reside there.&lt;br /&gt;&lt;br /&gt;Ok, back from Utopia and into the real world. Oddly enough, it seems all of our not-so-fun experiences on the road lately have been with one airline in particular. I’m not gonna reveal their name but if you fly often, you probably know the origination of the real Delta Blues :). This flight was no exception. After an argument between Jim VanCleve and the "gate-keeper" about checking his fiddle, running out of fuel OVER THE OCEAN, a flat tire on landing and a massive unplanned layover in San Juan, PR we finally made it to St. Croix safe and sound about 8 hours late. On a lighter somewhat-side-note, we were flying with two unbelievably talented musicians that were going to be gigging with us on St. Croix. The international finger-style guitar champion Tim Thompson and his super talented son, Myles had to endure all this fun on the plane with Jim and I :). The laugh of the evening was that we probably could’ve gotten in a rowboat and made the trek quicker than we would by waiting for the next flight. After all of this ever so familiar unusual misfortune with the airline, we landed safely and headed to the resort.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/S6piUyHuUSI/AAAAAAAAADk/JJKgD95uaWM/s1600/tire.JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 320px; FLOAT: left; HEIGHT: 240px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452278408076480802" border="0" alt="" src="http://2.bp.blogspot.com/_zpKlK72iF0U/S6piUyHuUSI/AAAAAAAAADk/JJKgD95uaWM/s320/tire.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;We were taken to The Buccaneer by a dear friend of ours, Brian Silber. He and his gal Denise are not only great promoters, they’re the most thoughtful folks you’ll ever meet, and they’re both very artistic. Brian is a respected violin player that we always bring up to jam with us whenever we’re near each other. Denise is an amazing painter and one of the deepest humans I’ve ever talked to. Not sure if you can tell that I like these folks??? :) This is my little way of expressing how much we appreciate them and their hard work and especially the relationships we’ve all created with them over the last year or so.&lt;br /&gt;Arriving at the Buccaneer is amazing. The outside of this place viewed from the gates reminds me of the Eagles album “Hotel California”. Except, The Buccaneer is absolutely in the middle of paradise. I’ve stayed there twice and I’m BLOWN AWAY by the service and overall reputation this place has. When you’re in the islands and you say “I’m staying over at The Buccaneer”, people always stop and look at you like they’re jealous or something. Brian and Denise put together a VERY generous care package that they left in our rooms. Along with that, sat a bottle of some tasty Cruzan Rum that the hotel presented to us as a token of their appreciation for our stay and for the concerts we all brought to the island. I’m not going to go into detail about all the down time throughout our visit. Just know that the beaches were awesome and the fellowship among the guys in the band was something we’ve needed for a long time.&lt;br /&gt;&lt;br /&gt;The second night there, Jim and I were booked as headliners in the exclusive concert room, The Brass Parrot at The Buccaneer. The show was a way for us to give back to the resort for all they’ve done for us. It was also an experiment for the band and Brian that turned into an over-sold audience who had an amazing dinner and rocked out with us for almost 3 hours. I had the lamb, which was stellar, and we featured all the guys in Mountain Heart, Brian Silber, as well as Tim and Myles Thompson at different times throughout the show. This was truly an amazing sold out night that no one involved will soon forget.&lt;br /&gt;&lt;br /&gt;The next night, we played our main gig of the week at The Island Center. This venue was the nicest place I’ve ever seen on the island for a concert. We had Tim and Myles jamming with the Mountain Heart gang, 40 GREAT volunteers, and a top-notch sound company that helped us work quickly to adjust to all the rental gear that was flown in for the show. The show that night was insane! There was a massive storm coming through that dumped rain outside but these people didn’t care. They piled in with us and partied all night. There will be videos of this amazing night of music online soon.&lt;br /&gt;&lt;br /&gt;The next evening, I was booked to play a few hours with Aaron Ramsey from the band on the other side of the island at The 19th Hole in Carambola. I love this area on St. Croix as well. Once again, thanks to Brian and Denise, Aaron and I had a standing-room-only crowd there to support us. Myles and Tim opened up the night with a ton of music that was soooo far over my head that I would have been afraid to set in if they had asked :). Check them out if you’re not already aware of how amazing they are. After a great dinner, we took the stage and played a very diverse group of tunes that included some originals, a lot of old soul tunes by artist like Michael McDonald and Donny Hathaway, and we even worked in a few bluegrass and rock songs with the rest of the Mountain Heart guys who were hanging at the gig that night. Talk about pressure, its tough having your partners pick you apart from the audience. After the gig, we all went back to celebrate another crazy success at The Buccaneer.&lt;br /&gt;&lt;br /&gt;Last night, we played our fourth and final night on the island. Jim and I were booked as a duo in another area at The Buccaneer that accommodates live music. The common trend stood true there as well. About a half hour before the gig, the people started piling in to have some drinks, dinner, and party with us. The management and all of the staff really hooked us up again with a monster C7 Yamaha piano for me to play and once again the best food and service you’ll ever find. Lucky for us, Jason Moore and Aaron were still on island so they decided to join us for the majority of the show. This crowd was off the chain. Believe it or not, a lot of the folks in the audience were seeing us for the fourth time in four days. I mean....it was completely crazy. They supported us to the fullest every single night and I think we definitely connected with almost everyone there at some point. The Mountain Heart boys were having a blast, and once again I felt like I was weightless on stage. We went for things that we would never attempt in a controlled environment and although a few mistakes came with that, a lot of magic was left on the stage as a result. We played and sang and the entire audience stayed 4 hours. Management actually had to cut us off at some point because of the hotel’s noise ordinance and because of the rowdy friends and fans that refused to go home. Keep in mind, this was the middle of the of the night on a MONDAY! It was truly special and Brad, the general manager, and the outstanding staff there handled everyone perfectly and admitted to one of the best nights they’d ever had.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/S6pi7k4HIaI/AAAAAAAAADs/ZTwpf1vzuyc/s1600/group.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 320px; FLOAT: left; HEIGHT: 240px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452279074536235426" border="0" alt="" src="http://2.bp.blogspot.com/_zpKlK72iF0U/S6pi7k4HIaI/AAAAAAAAADs/ZTwpf1vzuyc/s320/group.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Today we were greeted with friends by the pool and some delicious lunch from Brian and Denise before we flew out. I simply can’t say enough about my second trip to St. Croix or the fantastic people there. Thanks again to The Buccaneer and to Brian and Denise and all of the very special people that helped that aren’t mentioned here. Everyone was so appreciated by us. We also especially wanna thank D’addario for providing us with strings down there in that hot and humid climate. Humidity can do a number on stings in a hurry…you guys are the best! I’ve probably developed carpal tunnel after all this typing, :) but the good news is I think we’re almost to Atlanta! Check out Facebook or our websites for pictures of this journey if you like: www.mountainheart.com www.joshshilling.com&lt;br /&gt;Sorry to be long-winded, but this trip had so many dimensions that I just had to touch on. Until the next time….&lt;br /&gt;&lt;br /&gt;Thanks,&lt;br /&gt;&lt;br /&gt;Josh Shilling&lt;br /&gt;www.mountainheart.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-6926250575180100248?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/6926250575180100248/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/flat-tire-in-paradise-with-mountain.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6926250575180100248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/6926250575180100248'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/flat-tire-in-paradise-with-mountain.html' title='A Flat Tire In Paradise with Mountain Heart'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_zpKlK72iF0U/S6pjQYXxf2I/AAAAAAAAAD0/7KUNclBMOgE/s72-c/2+guys.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8218109451430818099</id><published>2010-03-10T08:32:00.005-05:00</published><updated>2010-03-10T08:52:50.714-05:00</updated><title type='text'>The Perils Of A Traveling Musician</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/S5eiAool6xI/AAAAAAAAADU/GACLW3dwlTE/s1600-h/DSCF42682.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 198px;" src="http://1.bp.blogspot.com/_zpKlK72iF0U/S5eiAool6xI/AAAAAAAAADU/GACLW3dwlTE/s320/DSCF42682.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5447000406119279378" /&gt;&lt;/a&gt;I'm on a flight with the Mountain Heart gang somewhere over Montana right now that’s bound for Nashville.  We had a ridiculous call time this morning at like 3:45am to leave Seattle…. definitely not musician-friendly hours.  Mountain Heart and lots of other great bands and D’addario lovers including Kenny and Amanda Smith, The Infamous Stringdusters, The Seldom Scene, and so many more, were performing at an awesome festival called Wintergrass in Seattle this weekend.  We had three great shows with amazing crowds to play to, and I got to really enjoy my first visit and tour of the city.  &lt;br /&gt;&lt;br /&gt;We had some SWANK hotel rooms this trip and the overall vibe from the people was perfect.  In case you were wondering, the rumors are true....there was literally a Starbucks in every direction within a hundred yards.   However, I didn’t make it to the original one on Pike Place.&lt;br /&gt;&lt;br /&gt;As nice as all that was, I do have to mention what a terrible time we had traveling out this week.  I’ll make it brief so I don’t ruin anyone else’s day.  Basically, it started when we were leaving the Nashville airport.  After checking our bags and paying the $25 “luggage care” fees, we stood in a half hour line just to find out that we had a 3-hour delay.   That was not the best news considering that put us arriving at like 3 or 4 am CST at that point.  After finding that out, we had to stand in another half hour line to get on another connecting flight because obviously, we weren’t going to make it on the original flight to Cincinnati.  During the ticket changes, Jim from the band, was handed a “seat request” that looks like a ticket and we got new baggage claim and tracking info since we weren’t flying via Cincinnati.  He was told that he and I were seated together on the next flight to Atlanta and then to Seattle. The clerk said “that’s as good as a ticket” when we asked about the seat request thing…”I’m just out of ticket stubs for my printer but that will get you your seat.”  &lt;br /&gt;&lt;br /&gt;So we waited around and after standing in yet another half hour line to board the flight to ATL, Jim was told “sir, this flight is sold out and your seat request isn’t going to get you on this flight.  At that point, obviously the airline didn’t have ANYTHING together and Jim was going to be 24 hours late getting to the gig and was going to miss 2 of 3 performances.  After fighting and then begging for something to be worked out, the (obviously having a bad day) clerk somehow worked Jim on the flight.  Relieved to finally be in the air, we took off with a sense of peace.  We got to Atlanta and then hopped the connecting flight to Seattle, which was quite a bit longer that I figured.  We landed there as scheduled and headed down to baggage claim.  &lt;br /&gt;&lt;br /&gt;After the 12-hour ordeal to actually make it TO Seattle, we quickly noticed over half the band had one thing in common.  Keep in mind, there are 6 members of Mountain Heart and we flew on 3 different flights from 3 different cities.  The obvious bad news was, half of us didn’t have any luggage…at all!  We had a missing bass and all of our checked luggage including laptops, everyone’s stage clothes, some stage gear and even pile of D’addario strings were all MIA.  Completely pissed off at this point, we had to deal with the lost luggage personnel who obviously also were having a VERY BAD day (see the trend), in order to track our stuff.  &lt;br /&gt;&lt;br /&gt;They found Jim’s and my luggage and of course as anyone would suspect, it had safely made it to Cincinnati on our original flight but somehow, it never made it to Seattle.  However, Jason’s bass was not so lucky as it was completely lost.  They offered us no answers as to where it was or even MIGHT BE or when or IF he’d get it back.  The offered no apologies, or even seem to care either way.  After all, it’s not their stuff right? No, I’m not sarcastic So, we filled out all of the paperwork to start the process of tracking and shipping our gear and then headed off in a shuttle to the hotel.  &lt;br /&gt;&lt;br /&gt;The next morning, of course none of our stuff had arrived and we were at this point forced to borrow instruments and wear dirty underwear and t-shirts on stage in front of thousands of people, which was pretty embarrassing.  Then came the 2nd performance….still in the same dirty everything, still with no answer or explanation from the airline.  Nearing the end of this trip and after EVERYTHING work or music related was finished, the courier service dropped all of our stuff off without notifying us in the middle of the night! &lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/S5ej7GY_sdI/AAAAAAAAADc/10e_mXwwAPU/s1600-h/DSCF4273.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_zpKlK72iF0U/S5ej7GY_sdI/AAAAAAAAADc/10e_mXwwAPU/s320/DSCF4273.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5447002510050963922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Thankful to have everything back finally and especially to have on some clean drawers, we wrote this one off as a lesson learned when it comes to this particular airline.  Just an FYI, Jim and myself wrote a song about this experience titled “The Delta Airline Blues” and we performed it in front of 10,000 people Saturday night and yes, it’s already on youtube.  I’ll try to attach a link below in case you want to help us raise public awareness of airline injustice. Funny thing is, we all just had to check everything they lost and returned again just a bit ago and pay the same insane baggage fees to have them “shipped and handled with care” or just lost, which is WAY more likely. &lt;INSERT NERVE PILL&gt;&lt;br /&gt;&lt;br /&gt;Traveling as a musician has its good points and its bad; I think it’s important to see both sides!  Since this incident consumed the majority of our trip, we felt it needed to be shared!  Every profession has its on-the-job hazards. The next stop for the band is home, albeit for only 24 hours.  Then we’re off to St. Croix in the Virgin Islands.  Jim and I have been before and I quickly learned to absolutely LOVE the vibe there along with the sites.  We’ll fill you in next week on how everything goes.  Clear blue water and skies, beautiful beaches, amazing food, 75-degree temps, and night swimming in the winter months, pretty much rocks.  &lt;br /&gt;&lt;br /&gt;As I’m typing this, I’m listening to one guy talk to his partner about this big sales job they’re in the middle of and how tough times are with his company.  There’s a baby that WILL NOT stop crying across the isle, an old man that’s gently snoring, and a woman in front of me that’s obviously having some health troubles and has been in the hospital.  All that being said, I just had a very calming feeling come over me as I think about why I’m on this plane.  And it’s not for some job I hate or some family emergency; we’re traveling to bring our music to people across the world.  That was simply a childhood dream and I’m getting to live it now.  &lt;br /&gt;&lt;br /&gt;So, I’m powering up my iPod to find something soothing to listen to and add to the little “positive bubble” around me.  We’re very blessed to be able to survive doing what we do and it’s only possible because of all the great supporters out there.  So, thanks to all the listeners and all the folks like D’addario that have helped myself and Mountain Heart throughout our careers.  An update from St. Croix is coming soon!&lt;br /&gt;&lt;br /&gt;Until the next time&lt;br /&gt;Josh Shilling of Mountain Heart&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8218109451430818099?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8218109451430818099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/perils-of-traveling-musician.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8218109451430818099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8218109451430818099'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/03/perils-of-traveling-musician.html' title='The Perils Of A Traveling Musician'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_zpKlK72iF0U/S5eiAool6xI/AAAAAAAAADU/GACLW3dwlTE/s72-c/DSCF42682.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8787208045108049524</id><published>2010-02-05T09:38:00.006-05:00</published><updated>2010-02-05T09:54:14.496-05:00</updated><title type='text'>In The Studio With Mountain Heart</title><content type='html'>&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/S2wuByljhBI/AAAAAAAAAC0/xLNqJCDyWec/s1600-h/Jimmy-Josh-David+photo+in+studio.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_zpKlK72iF0U/S2wuByljhBI/AAAAAAAAAC0/xLNqJCDyWec/s320/Jimmy-Josh-David+photo+in+studio.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5434769458623382546" /&gt;&lt;/a&gt;&lt;br /&gt;I'm sitting in the A Room at Ocean Way studios in Nashville working on Mountain Heart's new record.  Our engineer is working on a rough mix of a song as I type.  I sang a ton of harmonies this morning, and I just wrapped up some B3 organ overdubs on a few songs.  &lt;br /&gt;&lt;br /&gt;This studio used to be an enormous church so, as you can imagine, the rooms have ridiculous ceilings and acoustics...I'm pinching myself as I think about so many of the greats that have cut in this place.  Mountain Heart has been touring some, but for the most part the last few weeks has been spent in the studio and for me personally, writing songs.  &lt;br /&gt;&lt;br /&gt;In the next few weeks, I'm writing with some of my faves.  Guys like Bryan White (yes the country singer), Jimmy Olander of Diamond Rio, and a known monster in Nashville, Marc Beeson.  After all the writing and recording is over in February, Mountain Heart is heading out to Seattle for a couple of shows at the Wintergrass Festival.  Directly after returning home from Seattle, we're all flying down to the Virgin Islands for a week where we'll be crashing at a swank resort called The Buccaneer on the  island of St. Croix after our gigs.  I lucked out and got to gig there last Spring, but this trip will be with the entire band so it should be freaking awesome.  Until that nice dose of 70 degree temps comes, we're gonna be bundled up and hunkered down in Nashville working on the record.  &lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/S2wvKfa-XDI/AAAAAAAAADE/BOPpZl5yPdw/s1600-h/Josh+recording+Hammond+B3+organ+in+Ocean+Way+Studio+for+new+album.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_zpKlK72iF0U/S2wvKfa-XDI/AAAAAAAAADE/BOPpZl5yPdw/s320/Josh+recording+Hammond+B3+organ+in+Ocean+Way+Studio+for+new+album.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5434770707609181234" /&gt;&lt;/a&gt;The next thing on the agenda as far as recording is concerned is a few acoustic guitar overdubs.  I'm starring at my guitar in the corner and thinking about the insane stuff Brian Sutton is gonna lay down shortly!  The one common denominator that I see with all the axes laying around is they're all strung up with D'Addario strings.  So, once again I'm saying “thank you” for the never ending support! &lt;br /&gt;&lt;br /&gt;Until the next time,&lt;br /&gt;Josh Shilling&lt;br /&gt;&lt;br /&gt;www.mountainheart.com&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8787208045108049524?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8787208045108049524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/02/in-studio-with-mountain-heart.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8787208045108049524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8787208045108049524'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/02/in-studio-with-mountain-heart.html' title='In The Studio With Mountain Heart'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_zpKlK72iF0U/S2wuByljhBI/AAAAAAAAAC0/xLNqJCDyWec/s72-c/Jimmy-Josh-David+photo+in+studio.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-2453015014421864484</id><published>2010-01-15T11:45:00.003-05:00</published><updated>2010-01-15T11:49:27.420-05:00</updated><title type='text'>On The Road With Mountain Heart!</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/S1CcRSd9WkI/AAAAAAAAACs/4tPUjRucnSM/s1600-h/_TEP6581-2.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="http://1.bp.blogspot.com/_zpKlK72iF0U/S1CcRSd9WkI/AAAAAAAAACs/4tPUjRucnSM/s200/_TEP6581-2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5427009371810650690" /&gt;&lt;/a&gt; Josh Shilling, lead singer of the alt-acoustic super-group "Mountain Heart" in partnership with world renowned instrument supplies maker D'Addario is pleased to present a new blog series directed at bringing the fans closer into the crazy world that is "Mountain Heart".&lt;br /&gt;&lt;br /&gt;This blog will appear regularly on the D'Addario and Mountain Heart web sites and we invite you to read, share and enjoy. We hope this little glimpse into the life of Josh and his band mates will enlighten and amuse you.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sunday, January 10, 2010:&lt;br /&gt;&lt;br /&gt;It's Sunday morning, January 10th  and I think I can speak for all the guys in Mountain Heart when I say that we had an AMAZING weekend out on the road!&lt;br /&gt;&lt;br /&gt;Although Sundays are usually spent licking wounds for most musicians after traveling, today we're all celebrating yet another sell out show at The Ark in Ann Arbor, Michigan Fridaynight. From what I was told, this was our 6th straight sell out at this intimate room which is also where we recorded our live record The Road That Never Ends in 2007. We had a line downtown that went on forever waiting outside in the snow and single-digit temperaturesto get in and see our show.&lt;br /&gt;&lt;br /&gt;After we stuffed ourselves at our favorite Mongolian Grill just a few blocks away and hit up a Starbucks or as we like to call it Fivebucks, we suited up for showtime. The show kicked off with an electric crowd that actually seemed louder than the band at times! After multiple encores, we ended up on stage for over three hours playing every single request from the crowd. Michigan has become one of our favorite states when it comes to fan support, andAnn Arbor in particular seems to be addicted to live music!&lt;br /&gt;&lt;br /&gt;After such a ridiculously good night in MI, we headed to Clay City, KY to play to another die hard crowd that also fought several inches of snow on country roads to party with us. It seems like our rock edge is rubbing off on even the traditionalists in eastern Kentucky. I noticed a lot of young faces and requests for Allman Brothers covers....CRAZY!&lt;br /&gt;After the great show last night, we packed up the bus and scooted back down to Nashville for some recording sessions this week. Outside of touring, our main focus right now is writing new material and recording a new record. The only thing I can share aboutthe project thus far is that it's going to be the most creative and original sound I've ever heard!&lt;br /&gt;&lt;br /&gt;As always, we are all so blessed to be using great gear in the studio and on tour so I wanna say thanks to D'Addario for their products and never ending support. With as many strings as we go thru in a tour we couldn't live without them!&lt;br /&gt;Until next time...............&lt;br /&gt;&lt;br /&gt;Josh Shilling&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Josh Shilling is the lead singer of the alt-acoustic super-group "Mountain Heart. Both Josh and all the members of Mountain Heart are proud and exclusive user of D'Addario strings.&lt;br /&gt;&lt;br /&gt;Visit us at &lt;a href="http://www.mountainheart.com/"&gt;www.mountainheart.com&lt;/a&gt; and &lt;a href="http://www.daddario.com/"&gt;www.daddario.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-2453015014421864484?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/2453015014421864484/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2010/01/on-road-with-mountain-heart.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2453015014421864484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2453015014421864484'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2010/01/on-road-with-mountain-heart.html' title='On The Road With Mountain Heart!'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_zpKlK72iF0U/S1CcRSd9WkI/AAAAAAAAACs/4tPUjRucnSM/s72-c/_TEP6581-2.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-5497901128081328124</id><published>2009-11-10T13:34:00.005-05:00</published><updated>2009-11-10T13:46:56.363-05:00</updated><title type='text'>The Right Strings For Your Classical Guitar with Philippe Bertaud</title><content type='html'>&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_zpKlK72iF0U/Svmz9mVBGoI/AAAAAAAAACU/wqVWGTDDcNo/s1600-h/portrait_ac1-202x300.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5402547098849712770" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 135px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_zpKlK72iF0U/Svmz9mVBGoI/AAAAAAAAACU/wqVWGTDDcNo/s200/portrait_ac1-202x300.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hey Folks!&lt;br /&gt;&lt;br /&gt;That is like the question I get all the time:- Philippe, what strings do you put on your guitar?and, I know when I look in your eyes that you guys had… and maybe still have if you did not read this article yet, the same issue(s) I had. Finding the right strings! Honestly, if you get into a store and look at the brands, you really start feeling woozy, and then you start to try one set, and another, and another… and arrive on my blog – or come to one of my clinic – and anxiously ask me about strings.&lt;br /&gt;&lt;br /&gt;Because I tried them all, and there is not a week that I do not receive a set from a string company. Some are okay… the first days of their life but, like the butterflies, they do not last a long time. Others – let’s be honest – most of the brands have intonation issues… you have to run to the store to buy other 1st or 3rd strings (no kidding! I live in Texas and the time I get to the store it’s pitch dark, that’s how far it is!!!) and you realize you have to go back to the store because the new ones you get still have intonation problems… Other sets have they basses dead in 2 or 3 days… or break.Seriously: do you want me to break in string during a show? I tour and play a lot and want to have reliable strings! And y’all know I bang the guitar and take all the guts out of the poor thing.&lt;br /&gt;&lt;br /&gt;You never see me re-tuning the guitar when I perform (if you saw me, it’s because I was about to play open tuning… or it was when I did not have Alhambra Guitar… just buy the right stuffs guys) It’s not because I’m deaf … neither because I’m blond… it’s because the strings I use stay in tune, never break, last forever… are cheap and American. Read that well coming from a Frenchy: they are MADE IN ZE USA! Okay… Should I share more about the spirit? You want me to tell you I fence my Texas ranch with those strings?&lt;br /&gt;&lt;br /&gt;So, what is the mystery? Well, I went to Africa to meet a wizard in Zambia and he gave me the answer… are you ready?&lt;br /&gt;&lt;br /&gt;The basses are round and rich because they use the best wire, the highest quality. Not the cheap one that will rust in no time. Also for the "EXP" basses, they put the coating ON the wire, not just on the strings. See? Have you tried the other ones? The ones that have been made the "fast way"? Just the coating sprayed on the whole string... and what happenend after that? It's peeling off!!! Not only it looks nasty, like if your guitar contracted leprosy - or you which is worst! - and because of the peeling-off-fast-spayed-coating... your strings buzzes. Hey, you know what I'm talking about.&lt;br /&gt;&lt;br /&gt;But not the strings I use... Did you hear my guitar buzzing? Peeling? Strings shredding away? Mais non!&lt;br /&gt;&lt;br /&gt;I go great basses strings! The "Must", the "Best". They got the sustain you are looking for and the harmonic support.&lt;br /&gt;What am I talking about?&lt;br /&gt;- Go to the end of the concert hall next time you attend a classical guitar recital… you barely hear the basses. They are weak. But not the one I use!&lt;br /&gt;&lt;br /&gt;And the trebles... no intonation issues. Why? Because they want to be so perfect they measure each string two hundred times.&lt;br /&gt;How many times? 200 – TWO HUNDRED TIMES, dos cientos, zwei hundert, δύο εκατό!!! 200 times!&lt;br /&gt;Those guys are so crazy about precision, they measure EACH string 200 times. It’s not only for fun .. or because they have time to kill… It’s because they have a vision:- They want to make the best products ever because they take pride into what they do.- One dissatisfied player will be talking to 8 people about how the strings caused them problems and they will talk to others who will talk to others… and so forth.&lt;br /&gt;&lt;br /&gt;First, to measure the strings with such precision, they thought about hiring a bunch of elves, fairies and dwarves from the "Enchanted Forest" but, over the past 30 years, guitar strings have benefited from a wealth of engineering and manufacturing improvements and the brand I use are now made by utilizing automated computer-controlled winding machines. The result has been unprecedented quality and value for the guitarists. The trebles are sorted by a sophisticated computer-controlled laser machine which performs diameter/tension measurements and quality checks to insure precise intonation. They want to make you satisfied… And they are.&lt;br /&gt;&lt;br /&gt;What do I play?The only real strings for pro… D’Addario.&lt;br /&gt;&lt;br /&gt;I use the Pro-Arte and also, on my spruce top guitar the Composites to give my guitar a warm "touch".&lt;br /&gt;&lt;br /&gt;D’Addario Composite wound strings exclusively feature Zyex(R) multi-filament stranded core material, which delivers gut-like tone with extremely long life and consistency. The trebles come with two 3rd strings, one from the regular Pro Arte line (clear nylon) and one made from composite polymer (coffee colored) which has a brighter tone (the 1st and 2nd are also from the regular Pro Arte line).&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_zpKlK72iF0U/Svm0uoHu5XI/AAAAAAAAACk/Bbn7J6OSqBU/s1600-h/portrait_3-199x300.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5402547941144454514" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 133px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://4.bp.blogspot.com/_zpKlK72iF0U/Svm0uoHu5XI/AAAAAAAAACk/Bbn7J6OSqBU/s200/portrait_3-199x300.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Cheers!&lt;br /&gt;&lt;br /&gt;-Philippe&lt;br /&gt;&lt;br /&gt;www.philippebertaud.com &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-5497901128081328124?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/5497901128081328124/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/11/right-strings-for-your-classical-guitar.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5497901128081328124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5497901128081328124'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/11/right-strings-for-your-classical-guitar.html' title='The Right Strings For Your Classical Guitar with Philippe Bertaud'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_zpKlK72iF0U/Svmz9mVBGoI/AAAAAAAAACU/wqVWGTDDcNo/s72-c/portrait_ac1-202x300.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1833954340378179031</id><published>2009-10-20T12:25:00.006-04:00</published><updated>2010-04-15T12:56:40.116-04:00</updated><title type='text'>EXP Strings</title><content type='html'>Fresh strings. They feel great, they play great, they sound great...eventually. As much as I love a new set of wires for my guitars, it does take a bit of break-in time to get them sounding the way I want...bright, but not too bright, fat but not dull. A regular set of non-coated strings need a few hours or days (depending on your willingness to stretch and play them) before they settle in to a tone that lasts a good while until they gradually wear out.&lt;br /&gt;&lt;br /&gt;That's the way it has always been, and most folks are fine with that. I stretch strings and play guitars to break them in every day for a living, no problem. But ever since the&lt;a style="color: rgb(51, 51, 255);" href="http://www.daddario.com/DADExpLanding.Page"&gt; EXP strings&lt;/a&gt; became available, I have been skipping the break-in period on my own acoustics and using the EXP sets as soon as they are strung up and tuned. The coating serves two purposes for me: 1) It offers protection against corrosion and fret wear and 2)It starts out sounding like a broken-in set and stays there for a long, long time.&lt;br /&gt;&lt;br /&gt;This is especially true in a recording situation. The coated strings seems to minimize the squeaky hand position shifts that are emphasized on a new set of regular strings. The overt brightness is gone, letting you string your guitar and put a mic in front of it immediately. Not to say the coated strings are duller or less responsive...more like a precision EQ that notches out the harsher sounds and lets the chime ring through.&lt;br /&gt;&lt;br /&gt;I've found that guitars with EXP strings are easier to record and give you more mic options, since the super top end is not as present. Even a bright mic like a C-414  can be used without rolling any EQ off. The best part is that I can leave a set on for weeks at a time and they still sound great. Check out the EXP coated strings from D'Addario...you just might find the tone you've been searching for...yours.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1833954340378179031?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1833954340378179031/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/10/exp-strings.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1833954340378179031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1833954340378179031'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/10/exp-strings.html' title='EXP Strings'/><author><name>Tom Spaulding</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='21' src='http://photos1.blogger.com/img/81/3410/320/Monterrey%20022.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1872695772023177498</id><published>2009-09-08T16:44:00.006-04:00</published><updated>2009-09-08T16:55:33.184-04:00</updated><title type='text'>Strings &amp; Pedalboards with Bryan Beller of DETHKLOK!!!</title><content type='html'>Hey there. I just came around to thinking that, since I’m about to go out on tour with the most brutal metal band ever not to actually exist – that being Dethklok, of course - this would be a good a time as any to write a blog post about some of the D’addario and Planet Waves stuff I’m using to pull it off.&lt;br /&gt;&lt;br /&gt;When it comes to strings, first and foremost I’m a ProSteels guy. I just really dig D’addario’s brightest stainless steel strings, always have. My gauges are pretty standard: 45-65-85-105, and a 130 tapered-core B for my main axe, a Mike Lull Custom 5-string. But my job on tour with Dethklok isn’t to make me sound good, it’s to make William Murderface sound good. Let me explain.&lt;br /&gt;&lt;br /&gt;If you’re hip to the show Metalocalypse (that’s the actual name of the show on Cartoon Network from which Dethklok was spawned), you’ll notice that ol’ Murderface plays a 5-string Thunderbird-style bass. So Mike Lull made me one of their T-Basses, and unlike the original that inspired it, it plays and sounds like a dream – which is key for pulling off those fast, low, chunky DethRiffs. Only problem is, there’s no 5-string model. So I’m playing a 4-string masquerading as a 5-string, and I’m accomplishing that by tuning the whole thing down a major third to C-F-Bb-Eb. (I actually look at it as a 5-string tuned up a half-step and missing the top string, believe it or not.) And for strings, I’m using 65-85-105-130 Pro Steels, with the 130 being a non-taper core in this case. I’m been practicing on it, and it’s, well, brutal. Check it out:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/SqbDXQ30gOI/AAAAAAAAACE/GQM_9xE4sRc/s1600-h/Mike+Lull+T-Bass.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5379201609374138594" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 150px" alt="" src="http://2.bp.blogspot.com/_zpKlK72iF0U/SqbDXQ30gOI/AAAAAAAAACE/GQM_9xE4sRc/s200/Mike+Lull+T-Bass.JPG" border="0" /&gt;&lt;/a&gt; So that’s the instrument/strings end of the deal. But there’s also what’s going on with my pedalboard. I’ve been using the same trusty wood-and-velcro board for the past 10 years, and it’s served me well. However, there’s nothing like a major tour to expose the weaknesses in any gear you have, and this board of mine has been long in the tooth for the last two years at least. Time to upgrade.&lt;br /&gt;&lt;br /&gt;I went out and got a Pedaltrain top-of-the-line board frame and started arranging pedals on it. For years I’ve seen techs do this while I instructed them how I wanted it, but once I got my hands on the Planet Waves cable kits (and the ability to make my own custom-length cables without having to solder anything), I began harboring secret fantasies of being able to do it myself. This was my chance. I sat down a few nights ago and got to work.&lt;br /&gt;&lt;br /&gt;And just 48 hours later, behold:&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_zpKlK72iF0U/SqbDsuWthII/AAAAAAAAACM/OSZNvWhs8kc/s1600-h/Pedalboard.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5379201978065585282" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 150px" alt="" src="http://4.bp.blogspot.com/_zpKlK72iF0U/SqbDsuWthII/AAAAAAAAACM/OSZNvWhs8kc/s200/Pedalboard.JPG" border="0" /&gt;&lt;/a&gt;Seriously, I can’t tell you how much fun it was to sit there, measure and cut the cables exactly the way I wanted them, test them out and hear them work, and then install them onto the board. (Pedaltrains are built so that you can run the cables under the boards, which keeps the cables clean and out of sight. Trust me, there’s a lot of cables under that board.) Call me a gear geek, but I really got off on it. In the end of the day, it was empowering to be able to do it all myself, exactly the way I wanted, and especially to be able to make the final few changes on my own once I saw it all together.&lt;br /&gt;&lt;br /&gt;Dethklok will be touring this fall on a four-band all-metal bill, with High On Fire, Converge, and the mighty Mastodon (!). It’s an amazing show – we play the music live, while at the same time our drummer Gene Hoglan (Strapping Young Lad, Death, Dark Angel) is playing to a click that’s sync’d up to a huge video screen of the cartoon characters banging their heads in animation custom-made for the tour. You can check out the dates on my MySpace profile page at &lt;a href="http://www.myspace.com/bryanbeller"&gt;www.myspace.com/bryanbeller&lt;/a&gt;, and I’ll be posting on Twitter throughout the tour (@bryanbeller). The 4-string T-Bass and the new pedalboard will be along for the ride.&lt;br /&gt;&lt;br /&gt;Also, I should mention that Steve Vai has a new DVD called Where The Wild Things Are coming out on September 29, compiled from his String Theories tour I was on back in 2007. The Pro Steels on my main axe got quite the workout on that tour (as did the Half-Rounds I used on my Mike Lull 5-string fretless, same gauges: 45-65-85-105-130) and I was very pleased to know that Steve dug the recorded sound of them, because he only spent two years mixing and editing that footage and the fewer hassles he had the better. J If you want to check out a 7-minute YouTube trailer of the DVD, just click here: &lt;a href="http://www.youtube.com/watch?v=FgObLPOUPVA"&gt;http://www.youtube.com/watch?v=FgObLPOUPVA&lt;/a&gt; .&lt;br /&gt;&lt;br /&gt;That’s it for now. Thanks to everyone at D’Addario and Planet Waves for the killer products, and for letting me post here, and hope to see you out on the road this fall!&lt;br /&gt;&lt;br /&gt;Yours ,&lt;br /&gt;BB&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1872695772023177498?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1872695772023177498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/09/strings-pedalboards-with-bryan-beller.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1872695772023177498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1872695772023177498'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/09/strings-pedalboards-with-bryan-beller.html' title='Strings &amp; Pedalboards with Bryan Beller of DETHKLOK!!!'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_zpKlK72iF0U/SqbDXQ30gOI/AAAAAAAAACE/GQM_9xE4sRc/s72-c/Mike+Lull+T-Bass.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-3907131832821613550</id><published>2009-08-11T10:28:00.005-04:00</published><updated>2009-08-11T11:30:19.273-04:00</updated><title type='text'>The String Incident</title><content type='html'>So, you’ve never changed strings on a certain instrument. Let’s say it is bouzouki.&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_zpKlK72iF0U/SoGL6YA-ZiI/AAAAAAAAAB0/FBm-6xo4O1g/s1600-h/Work+box+009.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5368726065797555746" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 150px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_zpKlK72iF0U/SoGL6YA-ZiI/AAAAAAAAAB0/FBm-6xo4O1g/s200/Work+box+009.jpg" border="0" /&gt;&lt;/a&gt;It is the same principle as a mandolin and you have changed the strings on many mandolins for world renowned players. The bouzouki has eight strings, four pairs tuned G/D/A/E, same loop end strings as a mandolin, just a longer scale. The bottom two strings tune to the same note, (G/D), the first one in a lower register, that’s the only difference. The top two (A/E) are tuned in unison, just like a mandolin. The bridge is exactly like a mandolin’s. No problem.&lt;br /&gt;&lt;br /&gt;So what if you’re working on one of the most popular television shows and the band is performing live. And the artist is extremely well known and even started her career on that same very popular television show. You can do this. You are a professional.&lt;br /&gt;&lt;br /&gt;You talk to the techs on the set; they let you use their work station. They’ve even got some strings for you to use, although they’re not D’Addarios. You take one set of each string off at a time because it has a floating bridge. You even save the old strings in case something happens, play it safe. Everything goes smooth. Tuning each set of strings as you put them on. You stretch the strings when done. Play a few chords, sounds about right. Feeling good, you set the instrument on the riser and tune the rest of the instruments, electric guitars and bass.&lt;br /&gt;&lt;br /&gt;Two hours go by. The call time has been pushed back. The eleven forty five rehearsal and blocking now turns into a one thirty call. You check the tuning on all instruments. You notice that the intervals on the bottom strings of the bouzouki are drastically different. The G strings sounds good, but the lower D string is two octaves below the high string. That can not be right, the two strings need to be matching. You got time, so you decide to tune the D string up’ like a mandolin. It feels tight, but a mandolin is very taut, so you keep turning. The freaking non D’Addario string breaks! Mind racing you remember you saved the old strings. You just threw them in the garbage when you knew you had it down. You head back to the tuning station as your tuner crashes to the ground because you forgot to unplug it.&lt;br /&gt;&lt;br /&gt;After digging out the matching string, which by the way, is a nickel wound .022 gauge, you realize that the last person to change strings used the single wrap method and there is barely enough string to wrap around the tuner peg. Being very careful you try to put it back on, only to have the string break right at the tuner. Just then the production manager comes up to tell you that the producers of the very popular television show have decided to record the rehearsal and use the play back for broadcast. I did tell you that is a live television show, not taped. The show order is very tight and there won’t be time to set up the band to play live. The singer will sing over the taped rehearsal. So, instead having five hours to find a string you have…….&lt;br /&gt;&lt;br /&gt;Remember this is a .022 nickel wound loop end string. Of course the techs do not have one. You ask the player if he happens to have another set. Of course not. You find the production office and send a runner out to find the string. Did I mention this was in Los Angeles? Every one is very helpful, they make phone calls, find the nearest music store. Should be back in an hour, depending on traffic.&lt;br /&gt;&lt;br /&gt;In the mean time you search through the strings at the tech station and find three .025 gauge&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/SoGKNb5IpbI/AAAAAAAAABs/XG7-ACnwL8Y/s1600-h/Work+box+002.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5368724194232673714" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 166px" alt="" src="http://1.bp.blogspot.com/_zpKlK72iF0U/SoGKNb5IpbI/AAAAAAAAABs/XG7-ACnwL8Y/s200/Work+box+002.jpg" border="0" /&gt;&lt;/a&gt; nickel wound strings. You try to twist the ball end so you can loop the string through the clasps on the bridge. When you twist the string to get the ball out the string comes apart. You try twice just to make sure. You leave the instrument on the tuning station waiting for the runner to return. He calls on your cell to inform you that Sam Ash says bouzouki strings are special order only. They could have it in three days. You think ‘There has to be a Greek music store somewhere in the Los Angeles area?’ It’s called grasping for straws.&lt;br /&gt;&lt;br /&gt;The producers call for the band. The player comes to check on the progress. He tells you need to put something on there because they are getting ready to RECORD! Oh, you know! After you place the risers and plug in the rest of the band you run back to the tuning station, looking around in desperation you spy a set of D’Addario strings, turning over the package you see there is a .022 phosphor bronze ball end string in the set. Quickly tear open the package, mind going a million miles an hour, trying to figure out how you are going to put the string on. Light bulb goes on; you put the end of the string through the ball thereby creating a loop. It holds; you start to tune, the player comes and grabs the instrument, you follow him back to the stage where they are now getting drum sounds. He is tuning, you notice that he is lowering the G string; a lot. You ask how he is tuning? Not looking at you he says, “It’s the same as a mandolin.” He is not smiling.&lt;br /&gt;&lt;br /&gt;You answer, “I know, trust me, I know.” Then it hits you! You had the lower G string an octave too high, the D string was right. All you had to do was lower the G string. The string holds. They keep the third take for broadcast. The player relaxes, hands you the bouzouki, and actually smiles. Not sure how many times you have apologized, you say you are sorry again just to make sure he hears. In fact you would like to yell out to the hundred people there that you are sorry, but they wouldn’t know what the hell you are talking about, so you put the instrument back on the riser. The show goes on. First thing you do when all the gear is packed away is call your buddy at D’Addario and order a box of &lt;a href="http://store.daddario.com/category/145953"&gt;J97 bouzouki strings&lt;/a&gt;.&lt;br /&gt;Let me count the ways in which I could have avoided the string incident;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;First, since I had never changed strings on a bouzouki I could have asked the musician to help me. Or, at least, asked for advice. &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Second, I should have listened more carefully to the intervals between strings before I took off each pair. Important detail. Even though it was principally the same as a mandolin, it was NOT a mandolin. &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Third, once I got the strings on and tuned it I should have taken it to the musician to make sure it was correct. How obvious is that! &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fourth, because I had been sitting around being bored, waiting for the call time, I should have left it alone instead of trying to change something that I had done two hours earlier. Remember, I did not fool with it until after the first call time had passed. &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;If I had followed any one of the above, I would not be sitting here typing this story.&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/SoGJE4aSI3I/AAAAAAAAABk/Yh8Yr8O7B7s/s1600-h/Work+box+006.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5368722947757450098" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 190px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://1.bp.blogspot.com/_zpKlK72iF0U/SoGJE4aSI3I/AAAAAAAAABk/Yh8Yr8O7B7s/s200/Work+box+006.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;Was there anything I did right? I did not panic! Lesson(s) learned: Listen! Don’t take your eyes off the ball! Keep your head, and above all, ask for help when you are not 100 % sure. Also, for me, it finally settled the single wrap vs. a three wrap string method. I always like to wrap the strings three times around the peg to get nice stretching. I believe the string will hold a better tune. Lastly; always carry spare D’Addario strings no matter what the instrument is! Cheers!&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_zpKlK72iF0U/SoGJE4aSI3I/AAAAAAAAABk/Yh8Yr8O7B7s/s1600-h/Work+box+006.jpg"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-3907131832821613550?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/3907131832821613550/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/08/string-incident.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3907131832821613550'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/3907131832821613550'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/08/string-incident.html' title='The String Incident'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_zpKlK72iF0U/SoGL6YA-ZiI/AAAAAAAAAB0/FBm-6xo4O1g/s72-c/Work+box+009.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-5596568224375830271</id><published>2009-07-21T12:37:00.001-04:00</published><updated>2009-07-21T12:40:26.613-04:00</updated><title type='text'>Richard Gilewitz - New Zealand Clinic Tour</title><content type='html'>Richard Gilewitz here from the other side of the planet to talk about the great Planet Wave products and D'Addario Strings as I travel through the entire country of New Zealand for my 5th tour in 8 years.&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_lMvrO2nSKgw/SmXc2T-Ux8I/AAAAAAAAAJc/YFZX7wGDI7A/s1600-h/g2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5360933757087172546" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 188px" alt="" src="http://1.bp.blogspot.com/_lMvrO2nSKgw/SmXc2T-Ux8I/AAAAAAAAAJc/YFZX7wGDI7A/s320/g2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Currently as of this writing I am midway through the tour and just about to finish up on the South Island. Not exactly looking forward to the 3 hour ferry ride to the North Island this weekend (although it is a beautiful trip) since I was apparently born without proper sea legs. Nothing a bag of chicken flavored potato chips and ginger beer won't cure!&lt;br /&gt;&lt;br /&gt;Had a fantastic time during the first half of the trip, apparently no issues with jet lag (this time) and have had many opportunities to demo a multitude of great products.&lt;br /&gt;&lt;br /&gt;Trevor Daley at MusicWorks in Invercargill (the furthest city south in the world - &lt;a href="http://4.bp.blogspot.com/_lMvrO2nSKgw/SmXdUaY_IQI/AAAAAAAAAJk/M-45a9rf71g/s1600-h/g1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5360934274205688066" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 188px" alt="" src="http://4.bp.blogspot.com/_lMvrO2nSKgw/SmXdUaY_IQI/AAAAAAAAAJk/M-45a9rf71g/s320/g1.jpg" border="0" /&gt;&lt;/a&gt;Antarctica is next spot down) did a bang up job promoting the concert/seminar event drawing a crowd of well over 110 folks and the hottest giveaway 'swag' items for the evening were the Planet Waves Humidifier, 3 phase guitar polishes, SOS tuners, and EXP D'Áddario Strings.&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;br /&gt;Several musicians in the audience also approached me after the event and appeared to be utterly fascinated with the circuit breaker cable as well as my stated 'string life' mentioned during my performance.&lt;br /&gt;&lt;br /&gt;Trevor was also kind enough to change my strings on my Breedlove Signature 6 string model and was grateful for the use of my Planet Wave Peg Winder complete with the string cutting feature.&lt;br /&gt;&lt;br /&gt;During my MusicWorks mini-GillaCamp 'hands on' workshop the following night in Gore, Trevor's friend, Peter Cairns was kind &lt;a href="http://3.bp.blogspot.com/_lMvrO2nSKgw/SmXdnx4YBaI/AAAAAAAAAJs/Ruorq10K7ZU/s1600-h/g3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5360934606928872866" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 187px" alt="" src="http://3.bp.blogspot.com/_lMvrO2nSKgw/SmXdnx4YBaI/AAAAAAAAAJs/Ruorq10K7ZU/s320/g3.jpg" border="0" /&gt;&lt;/a&gt;enough to host the event drawing 18 attendees for the evening. Until I pulled out my Planet Wave Multi Function Tuner/Metronome the group sounded like a bag of cats when playing together. Once I aligned their timing with the help of the metronome the room sounded like a symphony. Well, almost.&lt;br /&gt;&lt;br /&gt;Looking forward to sharing the great products DÁddario was so kind to send for the trip as I travel north ... and really looking forward to those Chicken Chips. &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;p&gt;&lt;p&gt;&lt;div align="left"&gt;Gillacamp website:&lt;a href="http://www.richardgilewitz.com/gillacamp.html"&gt;http://www.richardgilewitz.com/gillacamp.html&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-5596568224375830271?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/5596568224375830271/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/07/richard-gilewitz-new-zealand-clinic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5596568224375830271'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5596568224375830271'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/07/richard-gilewitz-new-zealand-clinic.html' title='Richard Gilewitz - New Zealand Clinic Tour'/><author><name>Brian J. - Product Specialist</name><uri>http://www.blogger.com/profile/16308081447293690384</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_lMvrO2nSKgw/SmXc2T-Ux8I/AAAAAAAAAJc/YFZX7wGDI7A/s72-c/g2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-2391738374925857941</id><published>2009-06-23T15:02:00.018-04:00</published><updated>2009-06-23T17:01:31.879-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='String Tone'/><category scheme='http://www.blogger.com/atom/ns#' term='Scale Length'/><category scheme='http://www.blogger.com/atom/ns#' term='Tom Spaulding'/><title type='text'>Pro Guitar Tech Tom Spaulding - Scale Length and String Tone</title><content type='html'>&lt;em&gt;Tom Spaulding is a Nashville based guitarist, producer/engineer, D’Addario AR rep, pro touring guitar tech. Has worked with artists ranging from Keith Urban &amp;amp; Tom Hamilton of Aerosmith, to LeAnn Rimes &amp;amp; Lee Roy Parnell.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_lMvrO2nSKgw/SkEq4A2sVFI/AAAAAAAAAI8/kJ_7GYJTdJo/s1600-h/tomteching.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5350604974083298386" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 170px; CURSOR: hand; HEIGHT: 153px" alt="" src="http://4.bp.blogspot.com/_lMvrO2nSKgw/SkEq4A2sVFI/AAAAAAAAAI8/kJ_7GYJTdJo/s400/tomteching.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;One of the interesting things about being a guitar tech is accommodating the different preferences of the various guitar players I work for. As a player myself, I have my own ideas about what sounds good, feels good, etc. Every guitar player I have tech'd for has different needs and methods to achieve their tone.&lt;br /&gt;&lt;br /&gt;My string gauge choices are matched to my actual playing technique...I have a rather heavy right hand and tend to favor heavier gauges than some folks. As a kid, I grew up reading the Guitar Player magazine interviews and it seemed like everybody was playing &lt;a href="http://store.daddario.com/category/145823/EXL120_Super_Light_9-42"&gt;.009&lt;/a&gt; of &lt;a href="http://store.daddario.com/category/145784/EXL110_Regular_Light_10-46"&gt;.010&lt;/a&gt; gauge electric strings. Country chicken-picker Albert Lee was playing &lt;a href="http://store.daddario.com/category/145787/EXL130_Extra_Super_Light_8-38"&gt;.008's&lt;/a&gt;. Then along came Stevie Ray Vaughan and his legendary &lt;a href="http://store.daddario.com/category/154554/Plain_Steel_Singles"&gt;.013&lt;/a&gt; E string...tuned down a half-step, of course. I think that revelation got players into trying heavier gauges and realizing that a properly tensioned set of &lt;a href="http://store.daddario.com/category/145800"&gt;.011s&lt;/a&gt; on a Gibson or &lt;a href="http://store.daddario.com/category/145784/EXL110_Regular_Light_10-46"&gt;.010's&lt;/a&gt; on a Fender felt just fine and the tonal increase was substantial.&lt;br /&gt;&lt;br /&gt;The scale length of a guitar has a lot to do with the tone of your instrument. Gibson guitars typically have a 24 5/8ths" scale length, while most Fenders have a 25 1/2" scale (D’Addario calculates all &lt;a href="http://www.daddario.com/upload/tension_chart_13934.pdf"&gt;string tensions&lt;/a&gt; at this scale) . The shorter scale of the Gibson helps define the sound of a typical Les Paul, round, warm lows and mids, a smooth top end. The Fender Strat or Tele has a twangy low end, punchier mids and a sparkly top end. While accentuated by body and neck material, the fundamentals, harmonics and partials created (and suppressed) with these scale lengths give us the foundation of the tone of the guitar. With these basic facts in mind, you can use different gauges of strings and different alloys to craft a tone from your instrument, played with your hands through your amp.&lt;br /&gt;&lt;br /&gt;I have recently been stringing some guitars for Chris Rodriguez (&lt;a href="http://daddario.com/DaddarioArtistDetails.Page?ActiveID=2049&amp;amp;ArtistId=10030"&gt;Keith Urban&lt;/a&gt;) tour&lt;a href="http://3.bp.blogspot.com/_lMvrO2nSKgw/SkE1Xi1xjqI/AAAAAAAAAJM/0qMUrfGN_K8/s1600-h/cascade.jpg"&gt;&lt;/a&gt; with &lt;a href="http://store.daddario.com/category/145806/EPN115_BluesJazz_Rock_11-48"&gt;D'Addario EPN115 Pure Nickel strings, .011 gauge&lt;/a&gt;. I use them on a Gibson Les Paul Junior (with stop bar tailpiece) and a Les Paul Deluxe. The softer feel and warmer tone of pure nickel offset the brightness of the P-90 in the Junior and the mini-humbuckers in the Deluxe. The solid mahogany SG gets &lt;a href="http://store.daddario.com/category/145800"&gt;EXL115&lt;/a&gt; nickel wound stings...a bit brighter and a good match for the darker tone of mahogany. The Fender Tele (with B-Bender) gets a set of &lt;a href="http://store.daddario.com/category/145800"&gt;EXL115s&lt;/a&gt; as well, even though it is tuned up a half-step. The extra tension and heavier gauge help keep the mechanical bender in tune, in our experience. He has two Strats, one with a humbucker in the bridge that gets played with an E-bow a times, and an Eric Johnson signature model tuned to drop D. The humbucker Strat gets &lt;a href="http://store.daddario.com/category/145800"&gt;EXL115s&lt;/a&gt;, since using the E-bow entails the neck pickup with the tone rolled off. A thicker string with a brighter tone balances out the muffling effect of that, and gives the note more of a bowed sound...like a bit of rosin on a viola or cello. The EJ Strat gets &lt;a href="http://store.daddario.com/category/145806/EPN115_BluesJazz_Rock_11-48"&gt;EPN115 Pure Nickel strings, .011 gauge&lt;/a&gt;, because that's what it was built for. The maple neck and lightweight body, combined with vintage-style pickups has plenty of sparkle, the nickel keeps that from getting too harsh and biting.&lt;br /&gt;&lt;br /&gt;Everybody's ears and hands are different and what works for me or my client's needs may not be the answer for you. Some players like to compensate different scale length guitars with different gauges of strings in order to even out the playing &lt;a href="http://daddarioinc.blogspot.com/2009/05/string-tension-101.html"&gt;tension&lt;/a&gt; between them. For example… if you use &lt;a href="http://store.daddario.com/category/145784/EXL110_Regular_Light_10-46"&gt;10s&lt;/a&gt; on a Fender scale guitar, you might try &lt;a href="http://store.daddario.com/category/145839/EXL110%2B_Regular_Light_Plus_10.5-48"&gt;10.5s&lt;/a&gt; or &lt;a href="http://store.daddario.com/category/145800"&gt;11s&lt;/a&gt; on a Gibson scale. While this does not always perfectly balance the feel between the two guitars, it gets you in the ball park. &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_lMvrO2nSKgw/SkEytHiD4GI/AAAAAAAAAJE/o0gHskgfsG0/s1600-h/cascade.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5350613582990270562" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 175px" alt="" src="http://3.bp.blogspot.com/_lMvrO2nSKgw/SkEytHiD4GI/AAAAAAAAAJE/o0gHskgfsG0/s320/cascade.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;After a bit of experimentation, you can dial in a sound and feel that's right for your style, through your rig. Additionally, trying different alloys (&lt;a href="http://store.daddario.com/category/145795/XL_Pure_Nickel_Round_Wound"&gt;Pure Nickel&lt;/a&gt; vs. &lt;a href="http://store.daddario.com/category/144876/XL_Nickel_Round_Wound"&gt;Nickel Plated Steel&lt;/a&gt; vs. &lt;a href="http://store.daddario.com/category/145792/XL_ProSteels_Round_Wound"&gt;Stainless Steel&lt;/a&gt;, etc.) and matching bright strings to dark guitars and vice versa in combination with heavier/lighter gauges can open up your ears and get you closer to your perfect tone.&lt;br /&gt;&lt;br /&gt;For further study, luthier Ralph Novak has an interesting article here: &lt;a href="http://www.novaxguitars.com/Pages/Techarticle_frame.html"&gt;http://www.novaxguitars.com/Pages/Techarticle_frame.html&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.tothestage.com/Search.Page?query=tom+spaulding"&gt;Click here to check out some D'Addario and Planet Waves videos with Tom Spaulding!&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;Here are some more D'Addario links on Scale length and String Tension:&lt;/div&gt;&lt;div&gt;&lt;a href="http://daddarioinc.blogspot.com/2009/05/string-tension-101.html"&gt;String Tension 101&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.daddario.com/upload/tension_chart_13934.pdf"&gt;String Tension Guide&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-2391738374925857941?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/2391738374925857941/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/06/pro-guitar-tech-tom-spaulding-scale.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2391738374925857941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/2391738374925857941'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/06/pro-guitar-tech-tom-spaulding-scale.html' title='Pro Guitar Tech Tom Spaulding - Scale Length and String Tone'/><author><name>Brian J. - Product Specialist</name><uri>http://www.blogger.com/profile/16308081447293690384</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_lMvrO2nSKgw/SkEq4A2sVFI/AAAAAAAAAI8/kJ_7GYJTdJo/s72-c/tomteching.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-8260568796528093632</id><published>2009-05-20T10:08:00.007-04:00</published><updated>2009-05-21T11:20:36.797-04:00</updated><title type='text'>String Tension 101: Open tunings, scale length variety and more...</title><content type='html'>Hey everyone, for this week's blog I've chosen a subject that is one of the most requested and least understood... String Tension. Okay, okay... not the most exciting stuff, but is pretty cool if you're into drop/alternate tunings or want to explore trying different string gauges with different scale instruments, for example.&lt;br /&gt;&lt;br /&gt;D'Addario has always openly shared string pitch/tension/alloy information with the public. In 1999 we published the first known &lt;a href="http://www.daddario.com/upload/tension_chart_13934.pdf"&gt;String Tension Guide&lt;/a&gt;, which has grown to be the most popular download from the web site. We often get questions related to the tension guide and how it works. In some ways, it's very simple, but can get as complicated as you need with detailed scientific formulas to determining very specific results. To assist with sorting through the potentially intimidating information, I've written a &lt;a href="http://www.tothestage.com/upload/StringTension_1949.pdf"&gt;String Tension 101 article&lt;/a&gt;, which helps describe the logic and explains how to effectively use the content contained in the guide. The link is attached above.&lt;br /&gt;&lt;br /&gt;Also, while we are on the topic of strings, check out our most popular videos on &lt;a href="http://www.tothestage.com/publish/MediaLibrary.aspx?ActiveID=1142&amp;amp;query=restring"&gt;proper stringing techniques &lt;/a&gt;hosted by master luthier and published author, John LeVan.&lt;br /&gt;&lt;br /&gt;I hope this information is helpful and easy to understand, but if you have any questions, post away. We have acoustical engineers and string design experts on hand to answer your toughest questions. Enjoy! Brian&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-8260568796528093632?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/8260568796528093632/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/05/string-tension-101.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8260568796528093632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/8260568796528093632'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/05/string-tension-101.html' title='String Tension 101: Open tunings, scale length variety and more...'/><author><name>Brian Vance - Product Manager</name><uri>http://www.blogger.com/profile/02663554696405946289</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='http://2.bp.blogspot.com/_lMhgvA6qavM/SaGC2tpsqRI/AAAAAAAAAAU/WJjNMJAqOPM/S220/Brain_Vance5.jpg'/></author><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-354759984011657222</id><published>2009-04-27T07:40:00.000-04:00</published><updated>2009-04-27T07:41:42.952-04:00</updated><title type='text'>Jim D’Addario Anecdotes</title><content type='html'>Collaborate to Succeed Part 1 – John D’Angelico&lt;br /&gt;&lt;br /&gt; “In the long history of humankind (and animal kind too), those who learn to collaborate and improvise most effectively have prevailed.”&lt;br /&gt;&lt;br /&gt;In reading that statement, one could assume it came from a musician or athlete playing team sports. But in actuality, it was the naturalist Charles Darwin that penned the line.&lt;br /&gt;&lt;br /&gt;For musicians, collaborating and improvising is a way of life. Many times when people look at the success of a musical group or an enterprise, they inaccurately assume that success is the result of the efforts of one or two individuals. The fact is even the most astute entrepreneur gets nowhere if he/she does not learn to collaborate and improvise.  Finding the right partners to collaborate with is the key.&lt;br /&gt;&lt;br /&gt;I learned a lot about collaboration and running a business when I joined my first band at age 13. The first thing that was abundantly clear to me was that we sounded much better as a group than we did individually - provided we all practiced our parts. Later on in my career as business challenges presented themselves, I would always look for collaboration partners, reaching out to someone with more experience to help with the specific challenges that we faced.&lt;br /&gt;&lt;br /&gt;In 1905, my grandfather Charles D’Addario emigrated from Italy to New York. He brought with him the family trade of making strings, which dates back hundreds of years to 1680. By coincidence, the very same year a Czechoslovakian luthier named Ladislav Kaplan also moved his family from Europe to America. At the time, there was a shortage of quality musical instruments and strings. Both gentlemen bought the American dream and lived it.&lt;br /&gt;&lt;br /&gt;Soon after arriving in America, Ladislav discovered that he was having trouble getting good strings for his violins, violas and cellos. A trained craftsman, he discovered he was also a very, very talented mechanical engineer. Soon after, he began making his own strings and before long the Kaplan brand of gut bowed strings was well established.&lt;br /&gt;&lt;br /&gt;Charles and Ladislav were friendly competitors and exchanged raw materials and know-how on occasion. Accounting ledger books from 1922 show Charles and Ladislav frequently exchanging material for payment. In the true European family business model, the Kaplan family ran their little string business out of a garage in their backyard in Norwalk, CT from 1905 to 1981.  The D’Addarios ran theirs in the basement of their Jackson Heights, NY home, a short walk from what would become LaGuardia airport.&lt;br /&gt;&lt;br /&gt;In the 1930’s, John D’Addario, Sr. joined his dad, Charles, and his young inquisitive mind was immediately energized by the world of the guitar. The guitar was yet to be amplified and was for the most part used as an element of the rhythm section of the big bands that were popular during that era. Guitar makers like Maccaferri and D’Angelico worked hard to make their instruments project acoustically over entire bands or orchestras.&lt;br /&gt;&lt;br /&gt;John, Sr. (my dad), befriended John D’Angelico towards the end of the 1930’s. Their collaboration would be a key to the success of D’Addario guitar strings some 35 years later.  D’Angelico was looking for someone to improve on the quality of the acoustic guitar strings that were available at the time. Dad was lucky enough to enter the picture at the right time. The art of string making at that time was exactly that - an ‘art’. Most developments were by accident or by trial and error. The major string brands at the time, National Black Diamond and Gibson for instance,  did not make a string with the low end output, sustain and the projection in the upper register to satisfy D’Angelico.&lt;br /&gt;&lt;br /&gt;I had the good fortune to meet John D’Angelico on several occasions as child when my dad was delivering strings to his shop on Kenmare Street in Little Italy. I can tell you personally - D’Angelico had golden ears. My dad’s collaboration with him yielded the acoustic guitar specifications that we, by and large, still use today. In fact most successful competitive brands have emulated the very specifications that the collaboration between D’Addario and D’Angelico yielded.  All the D’Angelico packaged strings made prior to John D’Angelico’s passing (1964) were made by our family. Similarity in the names and his respect for John D’Angelico were key reasons why Dad never used the D’Addario family name on his strings until we did so in 1974.&lt;br /&gt;&lt;br /&gt;My dad often spoke fondly of how well they worked together. Dad would make a variety of samples, with different core sizes and whatever different alloys of brass, bronze and silver plated copper that he could get his hands on at the time. John would test them and together, using their ears and their minds, through trial and error, they advanced the art of guitar string-making. Their first epiphany was determining the optimum size ratios between the core wire and the wrap wire for each wound string on the guitar. Later, they realized that the 80-20 brass (referred to as bronze most of the time) needed to be softened prior to winding. Eventually, after many trials, they landed on some great-sounding string specifications.&lt;br /&gt;&lt;br /&gt;D’Angelico made instruments for all kinds of different guitar players. Many times the guitarist would not be satisfied with the instrument he ordered when he came to pick it up. While D’Angelico could make adjustments in the set-up of the guitar to sometimes satisfy the particular want of each player, he quickly realized, with all these string samples lying around, that many times just changing the string tension would do the trick.&lt;br /&gt;&lt;br /&gt;Prior to their collaboration, strings were sold in one gauge. They pioneered the idea of Light, Medium and Heavy string gauges. Later, as the electric guitar took hold, players would demand even lighter and lighter string gauges. Back then, most guitars were outfitted with pretty heavy gauge strings.&lt;br /&gt;&lt;br /&gt;As the guitar string business grew and my grandfather’s retirement age was approaching, my dad began to lose interest in bowed string manufacturing and focused more and more of his attention on fretted instrument strings. In 1959, Charles retired and for a few years, my dad and his team continued to make bowed strings for various private labels and under their own names Puccini and La Rita. Around 1964, after the British invasion and the advent of the real guitar boom, D’Addario totally abandoned bowed string manufacturing and focused all their energy on fretted instrument strings.&lt;br /&gt;&lt;br /&gt;Dad and his partners (two other gentlemen from the same town in Italy) sold their company to C. F. Martin &amp;amp; Company in 1969.  In 1974, after a five-year employment engagement, a newly-formed company (our present entity) introduced fretted instrument strings for the first time, bearing the D’Addario family name. Joined by his two sons John D’Addario, Jr. (my brother) and me (Jim D’Addario), the D’Addario family began on the journey of establishing the D’Addario brand name utilizing many of the string innovations discovered through the collaboration of John D’Angelico.&lt;br /&gt;&lt;br /&gt;More on collaboration to come. . . .&lt;br /&gt;My next article will discuss the acquisition of Kaplan Music Strings in 1981 and the re-entry into the bowed string business through our collaboration with Dr. Norman Pickering.&lt;br /&gt;&lt;br /&gt;Jim D’Addario&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-354759984011657222?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.daddario.com' title='Jim D’Addario Anecdotes'/><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/354759984011657222/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/04/jim-daddario-anecdotes.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/354759984011657222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/354759984011657222'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/04/jim-daddario-anecdotes.html' title='Jim D’Addario Anecdotes'/><author><name>Jim D'Addario - CEO</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://1.bp.blogspot.com/_VmhffQpFrSc/SZQgXZCpZbI/AAAAAAAAAAU/DHepdh3J0dQ/S220/Jim_DAddario_2005.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-44666830104988168</id><published>2009-04-06T12:00:00.004-04:00</published><updated>2009-04-14T09:32:00.107-04:00</updated><title type='text'>SXSW 2009 - “Thousands of Bands, Two Earholes!”</title><content type='html'>&lt;div&gt;For those of you who have never been to the South by South West Music Festival in Austin, Texas. You need to know a few rules in advance:&lt;br /&gt;&lt;br /&gt;#1- Bring &lt;a href="http://store.daddario.com/category/152454/Earplugs"&gt;earplugs&lt;/a&gt;&lt;br /&gt;#2- Don’t plan on sleeping&lt;br /&gt;#3-Wear comfortable foot wear&lt;br /&gt;#4- Practice your drinking skills beforehand to build up your tolerance to various kinds of alcohol. I suggest maybe attending a couple of Frat Parties or Irish Funerals as basic training.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-785f6ae9e9952385" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v11.nonxt5.googlevideo.com/videoplayback?id%3D785f6ae9e9952385%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329862956%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D4C1A94D577381AE351DB4B7D6F0F3134064B9EC9.81F76A64D270F8B19A7EA0F2AE5E242222AFE963%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3D785f6ae9e9952385%26offsetms%3D5000%26itag%3Dw160%26sigh%3D5fcXXMJWH016G1WNQMfIXXw5F0Q&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v11.nonxt5.googlevideo.com/videoplayback?id%3D785f6ae9e9952385%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329862956%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D4C1A94D577381AE351DB4B7D6F0F3134064B9EC9.81F76A64D270F8B19A7EA0F2AE5E242222AFE963%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3D785f6ae9e9952385%26offsetms%3D5000%26itag%3Dw160%26sigh%3D5fcXXMJWH016G1WNQMfIXXw5F0Q&amp;autoplay=0&amp;ps=blogger"allowFullScreen="true" /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_zpKlK72iF0U/SdZYuFrfrqI/AAAAAAAAAAc/fLiu36LGD00/s1600-h/JTEarleRustySpurs.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5320537558606655138" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px" alt="" src="http://4.bp.blogspot.com/_zpKlK72iF0U/SdZYuFrfrqI/AAAAAAAAAAc/fLiu36LGD00/s320/JTEarleRustySpurs.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;This was my 4th year in a row and 7th time all together attending SXSW, so I was partially prepared for the onslaught of music coming from all directions and crevices, including bathrooms, elevators, grocery stores and dirt lots. Luckily D’Addario, The Musebox, Swing House and The Roxy Theater had hijacked a venue, that became our home base for great performances all week! D’Addario Artists such as Justin Townes Earle, Del Castillo, Madi Diaz, War Tapes and Mandi Perkins all played inspired sets over the 4 days. All of this chaos took place while Hugh, Mike &amp;amp; Brian (The D’Addario Brass) manned a table on the patio, conveniently located between the bar and BBQ.&lt;br /&gt;&lt;br /&gt;On Friday, the day of our official D’Addario Day Party, guitar players &amp;amp; drummers both amateur and pro lined up around the patio while the D’Addario crew handed out samples of our new products as well as giving advice and demonstrations about various items like our &lt;a href="http://store.daddario.com/category/144875"&gt;EXL electric strings&lt;/a&gt;, &lt;a href="http://store.daddario.com/category/144846"&gt;EJ &amp;amp; EXP acoustic strings&lt;/a&gt;, &lt;a href="http://store.daddario.com/category/146490/Dual_Action_Capo"&gt;Dual Action Capos&lt;/a&gt;, &lt;a href="http://store.daddario.com/category/146492/Custom_Pro_Series"&gt;Custom Pro Cables&lt;/a&gt; and &lt;a href="http://store.daddario.com/category/152206/Onyx_2-ply"&gt;Onyx drum heads&lt;/a&gt;. Drinks were served courtesy of Barefoot Wine and Dos Equis while the free hot dogs were all devoured within just a few hours. Austin’s own Collings Guitars held a raffle for a free guitar and had a few on hand to try out. Collings giveaway winner, Lori Allen (pictured below), is thrilled with her new guitar. "It's not just the strings you strap across your guitar, it's what guitar you strap across your strings...D'Addario Strings &amp;amp; Collings Guitars!!! A PERFECT combination at SXSW 2009!!!" &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;img id="BLOGGER_PHOTO_ID_5324538885400590626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_zpKlK72iF0U/SeSP59kOeSI/AAAAAAAAABE/XQSq4H05UAw/s320/IMG_1840.JPG" border="0" /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_zpKlK72iF0U/SdZW2CheGUI/AAAAAAAAAAM/9NHQPlbh940/s1600-h/DelCastillo_0737_AltWbLg.JPG"&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_zpKlK72iF0U/SdZW2CheGUI/AAAAAAAAAAM/9NHQPlbh940/s1600-h/DelCastillo_0737_AltWbLg.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5320535496174999874" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 320px; CURSOR: hand; HEIGHT: 214px" alt="" src="http://3.bp.blogspot.com/_zpKlK72iF0U/SdZW2CheGUI/AAAAAAAAAAM/9NHQPlbh940/s320/DelCastillo_0737_AltWbLg.JPG" border="0" /&gt;&lt;/a&gt;Artists from all over the world come to SXSW but one of the highlights of the week was a local band named, Del Castillo. They've got a frontman with a powerful voice and commanding presence, with enough big hooks to have a Rock Radio Smash. What makes them even more interesting is the twin guitar Flamenco stylings of brothers Rick and Mark Del Castillo. The speedy but tasteful harmony and dueling leads incited cheers from the packed house as the rhythm section kept the crowd dancing.&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_zpKlK72iF0U/SdZauE6tDgI/AAAAAAAAAAs/6MctRqvnOhY/s1600-h/the+start_aimee.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5320539757425266178" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 134px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://2.bp.blogspot.com/_zpKlK72iF0U/SdZauE6tDgI/AAAAAAAAAAs/6MctRqvnOhY/s200/the+start_aimee.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Other highlights of the week were new discoveries of emerging artists like solo vocalist/guitar player Lindsay Ell from Canada, Chelsea Davis (powerhouse drummer) for indie vets The Start, and vibey acoustic sets from Angie Mattson and Diane Birch. The grand finale was Saturday night. By 9:30pm, the room was well beyond capacity in anticipation of a very special performance by U.K. heroes, Echo and The Bunnymen. &lt;a href="http://4.bp.blogspot.com/_zpKlK72iF0U/SdZbgV0uXaI/AAAAAAAAAA0/5z-owZfmraA/s1600-h/TenderBox_0345_AltCrpHWbLg.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5320540620957048226" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 134px" alt="" src="http://4.bp.blogspot.com/_zpKlK72iF0U/SdZbgV0uXaI/AAAAAAAAAA0/5z-owZfmraA/s200/TenderBox_0345_AltCrpHWbLg.JPG" border="0" /&gt;&lt;/a&gt;The Tender Box and The High Dials set the tone for the evening, opening with quality danceable indie pop as the sweltering crowd happily waited till way past midnight for the Brit pop pioneers. No one left disappointed as Echo and The B Men played a 90 plus minute set of classics like “Lips Like Sugar” and “Killing Moon” as well as a few new catchy numbers. If you wonder where Liam Gallagher of Oasis got his swagger and patter just look to Echo’s leader Ian McCulloch. I was even more impressed by the great guitar work and tone of his longtime mate Will Sergeant.&lt;br /&gt;&lt;br /&gt;Even after catching 15 plus bands a day at our D’Addario home base I still found a few hours (note rule #2 above) to check out other shows like The New York Dolls and The Hold Steady at Rachel Rae’s shindig. I wandered into J Mascis and his blistering wah wah attack with Dinosaur Jr. while walking a couple miles (rule #3) to a abandoned super market at 2am to check out the secret show by Jane’s Addiction, featuring Planet Waves artist, Dave Navarro. I had always been impressed by drummer Stephen Perkins but now some 20 years later since I first saw Jane’s in a small San Francisco club, I was absolutely floored by what a monster he really is. Look for the reunited band to tour with Nine Inch Nails this summer.&lt;br /&gt;&lt;br /&gt;All in all it was fun times and good music helped by our excellent sound courtesy of Dynacord, Soundcraft, Shure, Marshall, Korg,Ultimate Stands and Vox and of course cables by Planet Waves, Drum Heads by Evans and Strings by D’Addario. Now I must sleep, Coachella is 2 weeks away..&lt;strong&gt;&lt;br /&gt;--Phil Jaurigui, D'Addario Artist Relations&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;*Photos courtesy of Lisa Melton&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-44666830104988168?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='enclosure' type='video/mp4' href='http://www.blogger.com/video-play.mp4?contentId=785f6ae9e9952385&amp;type=video%2Fmp4' length='0'/><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/44666830104988168/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/04/sxsw-2009-thousands-of-bands-two.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/44666830104988168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/44666830104988168'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/04/sxsw-2009-thousands-of-bands-two.html' title='SXSW 2009 - “Thousands of Bands, Two Earholes!”'/><author><name>Hugh Gilmartin - Artist Relations Manager</name><uri>http://www.blogger.com/profile/18223682062035847261</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_zpKlK72iF0U/SdZYuFrfrqI/AAAAAAAAAAc/fLiu36LGD00/s72-c/JTEarleRustySpurs.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-806913825767420685</id><published>2009-04-01T14:47:00.000-04:00</published><updated>2009-04-01T14:29:48.134-04:00</updated><title type='text'>Capacitance: What is it and how does it affect my tone?</title><content type='html'>The capacitance of something is a measurement of its ability to store a charge. Did you ever drag your feet and then touch someone in order to shock them…capacitance in action!!&lt;br /&gt;&lt;br /&gt;A capacitor is a device that stores a charge consisting of two conductors separated by an insulator. What does such a device have to do with a guitar player? If you play electric guitar, everything!!&lt;br /&gt;&lt;br /&gt;Let’s look at the construction of an instrument cable. A standard instrument cable in its most basic form is made up of a center conductor, some type of insulation, a shield (which is also used as a conductor) and the outer jacket. Hmm….a conductor, insulation and another conductor…Sound familiar?? Now that we realize that a guitar cable is basically a long capacitor, let’s look at how your tone gets affected.&lt;br /&gt;&lt;br /&gt;When you start playing your guitar, a small electrical current flows between the two conductors of the cable. As the frequency increases, so does the current that flows through a capacitor. This is why high frequencies are affected more by cable capacitance then low frequencies.&lt;br /&gt;&lt;br /&gt;Along with the source impedance, cable capacitance forms a low-pass filter between the instrument and amplifier, meaning it rolls-off or cuts high frequencies, much like your guitar’s tone control. The higher the capacitance is of the cable, the more high-end roll-off you will experience.&lt;br /&gt;&lt;br /&gt;Capacitance in instrument cables is measured in picofarads (pF) as a full farad is too large compared to typical requirements in electronic devices. The picofarad is sometimes comically called a "puff" as well. Let’s say you have a cable that measure 45pF per foot and you use a 10ft cable to an effects pedal and then a 10 ft cable to your amplifier. Taking the pedal out of the equation you are looking at 900pF before your guitar signal hits your amplifier. Now lets take two cables that have a capacitance of only 33pF/ft. Using the same set-up you would have a total of 660pF before your guitar signal hits your Amplifier. See why it’s important to use quality, low-capacitance cables?&lt;br /&gt;&lt;br /&gt;Some manufacturers design cables with a sound in mind…say a “rock style” or “jazz style” cable. What they are doing is pre-equalizing the cable by the capacitance level to roll-off certain frequencies. While this may work for some players, the best cables should leave your signal untouched giving you the most control over your tone when it reaches your amp. Now when some people use a cable with low capacitance, they will say that the cable is very “bright” compared to their standard cable. That “brightness” is actually the high frequencies that their previous cable was rolling off or not effectively reproducing. You may also experience greater lows and added dynamics or “liveliness”. The advantage of this is that you can now lower the treble controls on your amplifier, which in turn will cut down on the “hiss” that the amp produces. You are now getting a truer reproduction of your instrument into your amplifier.&lt;br /&gt;&lt;br /&gt;Planet Waves cables are specifically designed and manufactured to have very low capacitance (among the lowest available), so that the output of your instrument remains intact and unchanged, giving you full tonal control over your sound.&lt;br /&gt;&lt;br /&gt;Rob Cunningham&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FREE INSTRUMENT CABLE OFFER!&lt;/strong&gt;&lt;br /&gt;The first 25 people to enter their information at the following link will receive a FREE 10 foot Planet Waves Custom Pro Instrument Cable!&lt;br /&gt;Built for the discerning musician and the most demanding situations, Planet Waves offers built-to-last durability, while accurately transferring the subtle details of your tone through our exclusive In=Out technology. Custom Pro Series cables feature Amphenol gold plated plugs for unparalleled signal transfer and a patented "jaws" retention system premium strain relief and durability. Ultra-pure twisted pair, oxygen-free conductors ensure pure signal clarity and precise transmission of your instrument's true character. Additionally, two layers of impenetrable noise-rejecting shielding deliver the ultimate high-performance cables. For more information on the Custom Pro Cable, please visit &lt;a href="http://store.daddario.com/category/146492/Custom_Pro_Series"&gt;http://store.daddario.com/category/146492/Custom_Pro_Series&lt;/a&gt;.&lt;br /&gt;&lt;a href="http://new.qualtrics.com/SE?SID=SV_a5CVf8iXRuLibRO&amp;SVID=Prod"&gt;Please click here to enter! &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-806913825767420685?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/806913825767420685/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/capacitance-what-is-it-and-how-does-it.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/806913825767420685'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/806913825767420685'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/capacitance-what-is-it-and-how-does-it.html' title='Capacitance: What is it and how does it affect my tone?'/><author><name>Rob C. - Product Specialist</name><uri>http://www.blogger.com/profile/15982578315032838070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/_YrhXkLqo_-E/SZsyESNKU9I/AAAAAAAAAAU/zzJoM7Qh1to/S220/Planet_Waves_Tru-Strobe_Tuner_PW-CT-07_orig_797.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-7621595480998300349</id><published>2009-03-30T15:08:00.001-04:00</published><updated>2009-03-30T15:13:12.208-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='travel'/><title type='text'>A Chance to See the World</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_-AGsVbORReE/SdEZs0N3kUI/AAAAAAAAAA8/L3rpejeMDlE/s1600-h/DSC00145.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5319060892623016258" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px" alt="" src="http://2.bp.blogspot.com/_-AGsVbORReE/SdEZs0N3kUI/AAAAAAAAAA8/L3rpejeMDlE/s320/DSC00145.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_-AGsVbORReE/SdEZsRyYn8I/AAAAAAAAAA0/yh8DKFaJRfg/s1600-h/Dubai.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5319060883380936642" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px" alt="" src="http://1.bp.blogspot.com/_-AGsVbORReE/SdEZsRyYn8I/AAAAAAAAAA0/yh8DKFaJRfg/s320/Dubai.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;As I boarded my flight from JFK to Frankfurt last night to attend my 10th Frankfurt Music Messe, I couldn't help but reflect on the international travel I've done over the past 10 years. Compared to many, 10-years of international, or Frankfurt Music Messe attendance is not so much, but for me it is a bit of a milestone.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Over the past 10 years, I've had the chance to visit the following countries (listed somewhat geographically as to not tax my memory too much):&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;New Zealand, Australia, Indonesia, Singapore, Thailand, Philippines, Taiwan, China, South Korean, Japan, Russia, India, U.A.E., U.K., Ireland, France, Netherlands, Belgium, Spain, Portugal, Germany, Austria, Switzerland, Italy, Poland, Finland, Sweden, Norway, Denmark, Canada, Mexico, Guatemala, Chile, Argentina, Brazil, Uruguay.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;I've been slipped a "mickey" in Bangkok, Thailand; abandoned at the airport in Jakarta, Indonesia, and most recently I was in Siberia, Russia in November! I've also seen so many beautiful cities, met fantastic artists, outstanding businessmen, and great people! While the cultures of the world are fascinatingly different, the love and joy of music is universal.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;As a young drummer (aspiring to be a percussionist) growing up in the corn field of Central Illinois (Sullivan, Illinois to be specific), I had aspirations of playing professionally and teaching at the university level. And, while that didn't work out as planned after graduating from Millikin University with a music business degree, and Northwestern with a masters in percussion, I couldn't have had a more wonderful and enriching professional life! After working for the Percussive Arts Society and Yamaha Corporation of America, my opportunity to do business internationally started in 1999 when I was at SABIAN. Since then with SABIAN, SKB, and now with D'Addario I continue to travel internationally. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;As the wheels touched down last this morning, I couldn't help but reflect. There are more countries I'd love to travel too. What ones have I missed that you'd recommend?&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-7621595480998300349?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/7621595480998300349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/chance-to-see-world.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/7621595480998300349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/7621595480998300349'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/chance-to-see-world.html' title='A Chance to See the World'/><author><name>David Via, VP Sales &amp;amp; Marketing</name><uri>http://www.blogger.com/profile/17806978344752131777</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_-AGsVbORReE/SZVoNR1y6WI/AAAAAAAAAAM/SVcoA-nqz2U/S220/dvia_FN.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_-AGsVbORReE/SdEZs0N3kUI/AAAAAAAAAA8/L3rpejeMDlE/s72-c/DSC00145.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-5649689558646668866</id><published>2009-03-04T12:19:00.001-05:00</published><updated>2009-03-04T12:21:08.503-05:00</updated><title type='text'>Anecdotes from Jim D'Addario #1</title><content type='html'>Jim D’AddarioAnecdotes&lt;br /&gt;My second father Mario Maccaferri&lt;br /&gt;&lt;br /&gt;They say timing is everything in life and surely for me I have been blessed with being in the right place at the right time on more than one occasion. As a child I loved to tinker. I had a work bench in our basement with my own tools where I tinkered with building amplifiers, speaker cabinets, amateur radios and countless other do-it-yourself projects.&lt;br /&gt;&lt;br /&gt;Attracted to music more and more, first the piano and then later the guitar in the early 60’s, I got more and more interested my family’s string business. My grandfather and Dad worked out of a tiny shop in the basement of my grand parents’ home in Jackson Heights, NY. I loved to go there in the evenings or on Saturdays with my Dad. There was always an extra machine or tools to tinker with. I recall dreaming of building automatic machinery so that my Dad wouldn’t have to work so hard hand winding strings.&lt;br /&gt;&lt;br /&gt;Many times on a Saturday I would tag along when Dad made deliveries to his customers. My favorite place to go to with him was Mastro Industries, Inc. in the Bronx. Mastro seem like a gigantic enterprise to me and in actuality it was; a full city block in size it was the brain child of luthier, guitarist and engineer Mario Maccaferri, famous to guitarists for his Selmer Django Reinhardt guitars.&lt;br /&gt;&lt;br /&gt;Most of the trips I tagged along on to Mastro were to deliver ukulele strings for his plastic TV Pal ukuleles. Ukulele strings are monofilament nylon with a knot on one end. With the help of TV celebrity Arthur Godfrey’s endorsement Mario made and shipped nearly seven million TV Pal ukuleles from 1949 (the year I was born) into the 1960’s. At four strings a uke, that is 28 million strings, if anyone is counting.&lt;br /&gt;&lt;br /&gt;Our entire family knotted ukulele strings while watching TV or in between homework and chores. You really weren’t allowed to just ‘sit’ around. On those delivery trips, Mario used to stop whatever he was doing to sit down for a cup of coffee with my Dad. On most visits he would take out a classical guitar and play something he was transcribing or practicing.&lt;br /&gt;&lt;br /&gt;Early in his career Mario was one of the most successful touring classical guitarists in Europe. He had a sweetness of tone, a romantic flare for phrasing and musicality that was truly unique. I was always mesmerized when he played for us. But even more exciting to me was walking around his monstrous factory; seeing the huge molding and packaging machines, an office full of engineers and draftsmen designing products and molds, and hundreds of workers in constant motion.&lt;br /&gt;&lt;br /&gt;If you are interested in learning more about Mario read some of the articles on the web like these:&lt;br /&gt;&lt;a href="http://www.lutherie.net/mario_en.html"&gt;http://www.lutherie.net/mario_en.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.harpguitars.net/history/maccaferri/month-player,macc.htm"&gt;http://www.harpguitars.net/history/maccaferri/month-player,macc.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;From those early visits a bond was formed between Mario and me that would grow and grow as each year passed. As his business career ebbed and mine started to get traction he took a personal interest in what we were doing at D’Addario. He would take trips to visit to see what new machines or products I was working on and he would offer some of his expert advice.&lt;br /&gt;&lt;br /&gt;He was an old school guy and did not get along with his son Marco in business. He was not an easy person to contradict, but for some reason I was able to get away with more than he accepted from his son. After his visits I could expect daily phone calls with new ideas about everything I showed him upon his previous visit. His mind was amazing. It was my first experience getting to know a true genius. Sometimes I didn’t take his advice and pushed back. He would continue to come back at me each day until I either tried what he suggested or convinced him that his approach was not feasible. I loved the dialog even though the two Italians disagreeing can be a little volatile at times.&lt;br /&gt;&lt;br /&gt;Many times my wife Janet and I would take our three children to his home in Rye Beach for Maria’s homemade lasagna. Both Mario and Maria were originally from Bologna; I don’t have to tell you how delicious those dinners were. Our children still talk about them today.&lt;br /&gt;&lt;br /&gt;On one occasion we were sitting around his dinner table and of course after dinner, out comes the guitar. Mario serenaded us with some beautiful classical pieces and then thrust the guitar into my hands insisting that I play something. A folk-pop-guitarist, with no classical technique whatsoever Janet and performed a folk song of the period finger picking like Bob Dylan or Peter Yarrow. I thought it sounded pretty good. When we finished, there was silence. He looked at me and said, “You should be shot.”&lt;br /&gt;&lt;br /&gt;This was Mario’s way of saying, ‘how could you waste your talent and not learn how to play properly. It was a classic Mario moment. We all laughed.’&lt;br /&gt;&lt;br /&gt;In 1980 Janet and I started running a concert series at NYC Merkin Concert Hall called Debuts and Premieres. The premise of the series, sponsored by our newly formed foundation, was to debut upcoming classical guitarists and to premiere new works for the classical guitar. Mario loved to come to these concerts and because we didn’t want him driving at night, we used to pick him and Maria up at their home.  We met some of the greatest guitarists and composers during this period.&lt;br /&gt;&lt;br /&gt;One particular concert, he got the date wrong and thought it was a week earlier than it really was. Dressed in his suit and tie pacing back and forth for an hour, we never showed up. He was depressed for a week, but his Italian pride wouldn’t allow him to call me to ask what happened. On Friday the following week I called him to confirm that I would pick him up Saturday at 6 PM for dinner and the concert. Maria later told me about his sulking for a week and how his face lit up when he realized we hadn’t stood him up the week before. Of course he couldn’t confess that HE got the date wrong – again classic Mario.&lt;br /&gt;&lt;br /&gt;On another occasion we were having a dinner party at our home with a handful of the great guitarists that either played or were going to play on our concert series. Ben Verdery was there, as was Elliot Fisk, Alice Artzt, Jorge Morel and of course I invited Mario. After dinner the guitars came out and we were treated to some great performances. Elliot, Jorge and Alice played first, and then the guitar was passed to Mario. At age 83 he just finished transcribing the second movement of Beethoven’s Sonata Pathetique for classical guitar. Written in Ab he transposed it up a half step to A for this transcription. Needless to say, there were a few clinkers in there but his tone was incomparable. Our mouths dropped. Out of respect, Ben refused to play after the master finished.&lt;br /&gt;&lt;br /&gt;There is a wealth of information on Mario Maccaferri out there. I could write pages and pages of anecdotes and stories about him and our relationship. He was truly a master musician, a brilliant inventor, a talented luthier, a reed maker and plastic industry pioneer. To me he was a second father.&lt;br /&gt;&lt;br /&gt;Jim D’Addario&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-5649689558646668866?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/5649689558646668866/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/anecdotes-from-jim-daddario-1_04.html#comment-form' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5649689558646668866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/5649689558646668866'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/03/anecdotes-from-jim-daddario-1_04.html' title='Anecdotes from Jim D&apos;Addario #1'/><author><name>Jim D'Addario - CEO</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://1.bp.blogspot.com/_VmhffQpFrSc/SZQgXZCpZbI/AAAAAAAAAAU/DHepdh3J0dQ/S220/Jim_DAddario_2005.jpg'/></author><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8114017018466066885.post-1909185744171412314</id><published>2009-02-19T14:48:00.000-05:00</published><updated>2009-02-19T17:38:21.560-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='humidity control'/><category scheme='http://www.blogger.com/atom/ns#' term='guitar humidifier'/><category scheme='http://www.blogger.com/atom/ns#' term='acoustic guitar care'/><title type='text'>Humidifying Your Acoustic Guitar</title><content type='html'>Guitar Humidifying Tips A few minutes of care keeping your guitar properly humidified will help hold its set up and prevent costly repairs. Most repairs to guitars, particularly acoustic guitars, are due to the instrument being dried out. Ideally if you keep your guitar and your case humidified anywhere from 40-55 relative humidity (rh) you will avoid serious issues. If you have a standard vinyl covered wood case keeping the case and the guitar humidified will make maintaining a proper ‘rh’ for the instrument even easier. There are many humidification devices on the market, all of which will get the job done. Using a humidifier like our Planet Waves Item #GH that utilizes a sponge to store and release the moisture is the most common type and very effective. In the winter months where I live, the heat is on and the ‘rh’ in my home and office can be under 20%. This is absolutely disastrous for any wooden instrument. Bob Taylor taught me this trick, that will get your guitar up to the proper humidity level without the risk of over humidifying. It will also make it easier for you to maintain that level through the difficult seasons.&lt;br /&gt;&lt;br /&gt;1. Remove the sponge from the Planet Waves GH humidifier and soak it in water (preferably distilled water). Shake off excess so there is no dripping.&lt;br /&gt;&lt;br /&gt;2. Insert it in the GH and place the GH in between the 3rd and 4th strings on your guitar.&lt;br /&gt;&lt;br /&gt;3. Every 24 hours (this is critical) check the sponge. If it is solid and dry start over with step #1. If is still supple and moist your guitar is in the ‘safe’ zone. Continuing to add water can actually do damage at this point. Over humidifying can be just as bad or worse than under humidifying so be careful to stop adding water if the sponge is not completely dry.&lt;br /&gt;&lt;br /&gt;4. At this point check the guitar weekly. If you are keeping the guitar in its case and the sponge is dry and hard again, it is probably time for another 24 hour treatment. If the guitar was stabilized in the case it may not be necessary to wet the sponge immediately. You do have a week or so leeway. When you do wet it, check it after 24 hours. If dry again, wet it again, etc., until the proper ‘rh’ level is achieved and the sponge is not dry after 24 hours.&lt;br /&gt;Just taking these simple steps will keep your guitar healthy and playing great. I have seen cracks close, necks straighten out and other serious issues simply go away after getting the humidity level back up to where it should be. If you have any questions, please feel free to contact us and we will do our best to point you in the right direction.&lt;br /&gt;&lt;br /&gt;Jim D’Addario&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.tothestage.com/upload/PW_Humidity_Control_1942.pdf"&gt;Humidity Control For Your Guitar Article&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;See other articles on instrument care and great lessons at &lt;a href="http://www.tothestage.com/"&gt;The Stage, D'Addario's Musician Hub&lt;/a&gt;:&lt;br /&gt;&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-b95ac3ecd549d19f" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v22.nonxt4.googlevideo.com/videoplayback?id%3Db95ac3ecd549d19f%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329862956%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D768A49B00F08B8228A5CCC7F9C87F16B7382B474.3FBF30F71077157B27ABCAF96EFA026D55727832%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Db95ac3ecd549d19f%26offsetms%3D5000%26itag%3Dw160%26sigh%3DU-XUrSbnXlo_VVobA9MNZ7UdLKw&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v22.nonxt4.googlevideo.com/videoplayback?id%3Db95ac3ecd549d19f%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329862956%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D768A49B00F08B8228A5CCC7F9C87F16B7382B474.3FBF30F71077157B27ABCAF96EFA026D55727832%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Db95ac3ecd549d19f%26offsetms%3D5000%26itag%3Dw160%26sigh%3DU-XUrSbnXlo_VVobA9MNZ7UdLKw&amp;autoplay=0&amp;ps=blogger"allowFullScreen="true" /&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8114017018466066885-1909185744171412314?l=daddarioinc.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='enclosure' type='video/mp4' href='http://www.blogger.com/video-play.mp4?contentId=b95ac3ecd549d19f&amp;type=video%2Fmp4' length='0'/><link rel='replies' type='application/atom+xml' href='http://daddarioinc.blogspot.com/feeds/1909185744171412314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://daddarioinc.blogspot.com/2009/02/humidifying-your-acoustic-guitar.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1909185744171412314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8114017018466066885/posts/default/1909185744171412314'/><link rel='alternate' type='text/html' href='http://daddarioinc.blogspot.com/2009/02/humidifying-your-acoustic-guitar.html' title='Humidifying Your Acoustic Guitar'/><author><name>Jim D'Addario - CEO</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='22' src='http://1.bp.blogspot.com/_VmhffQpFrSc/SZQgXZCpZbI/AAAAAAAAAAU/DHepdh3J0dQ/S220/Jim_DAddario_2005.jpg'/></author><thr:total>3</thr:total></entry></feed>
