Monday, May 24, 2010

Mr. In-Between

String gauges. Some players never get beyond "Light" and "Medium", never mind Custom Light, Light Top/Heavy Bottom, etc. But for those that do, there is a whole world of alternate and in-between gauge guitar strings worth exploring.

If you are interested in finding the right strings for your guitar - your particular guitar, as played by you - then a little research can yield great rewards. Acoustic players in general seem to gravitate toward one of two generic gauges, Light and Medium. Beginning players and those with tender fingers find lights to be easier to play, and when "producing good tone" is farther down the list than "switching from C to G", that's fine. Some less expensive guitars may even respond better to light gauge strings, as anything heavier will case the action to be uncomfortable.

Eventually, though, it's a good idea to try a hybrid set to see if you (and your guitar) like a heavier gauge. D'Addario makes a "Bluegrass" set in both regular and coated versions. The Bluegrass set is the Low E, A and D strings from a Medium set and the G, B, and High E strings of a light set.

In the Bluegrass world, this gives the player the ability to bend the top strings for solos and keep a fat rhythm sound when playing backup. I don't play Bluegrass, but I do play a lot of gigs backing up a singer/songwriter, where I am adapting electric lead guitar parts for acoustic and also trying to keep the drive of the bass and drums at least partly alive on the low strings. The EJ19 and EXP19 sets are perfect for that, and a nice bridge from Light to Medium.

Electric players have even more choices, with sets as light as .08 and even half-gauges like the EXL110+ set that has 10.5, 13. 5, 18, 28, 38, 48 gauges. In general, I like EXL115 on my Gibson-scale guitars and EXL110 on my Fenders, but some models just seem a little to slack or too stiff. The in-between options solve that issue nicely. Check them out if your strings seem just a little off, or if you want to have, for example, one Telecaster with 10s and one a little heavier with 10.5s

Wednesday, May 12, 2010

Who'll Stop The Rain

As you might have heard, Nashville, Tennessee suffered historic flooding last week and the city’s largest gear storage and rehearsal hall, “Soundcheck” was filled with 42 inches of toxic river water. Many guitars, amps, keyboards and drums were ruined by the exposure to the water, with only a few items that were on shelves or stacked high enough surviving.

After the water receded, many musicians moved their gear to an emergency storage facility far from the Cumberland to assess the damage and begin the drying out process. 20 volunteer luthiers and repairmen showed up to strip the at-risk guitars into necks, bodies and hardware (if possible) and clean them up with a 70/30 solution of distilled water and alcohol.

Electronics were dried out and sprayed with Blue Shower or De-Oxit contact cleaner in hopes that they might one day be put back in service. Many guitars, amps and keyboards were beyond rescue, and with flood insurance being low on most players’ priority lists, will be total losses.

My advice to anyone living near a body of water and to those storing the tools they use to make living near a body of water: buy flood insurance. Keep your really good stuff at home. If you can’t do that, put your really good stuff on a high shelf. Keep your really good electronic stuff in a Pelican water-proof case. I have a friend who had many microphones survive because they were in a sealed Pelican case.

An interesting side-note... While the cardboard boxes were soaked and ruined, the sealed packages of D'Addario strings were just fine once they got a soapy-water bath.

Photos courtesy Nashville Tennessean

If you'd like to help, here are some charities concerned with the flooding in Nashville:

Second Harvest Food Bank

Hands On Nashville

Salvation Army

Nashville Red Cross

Low Notes For Nashville